The Environment on Stage: Scenery or Shapeshifter? investigates a pertinent voice of theatrical performance within the production and reception of ecotheatre. This volume applies an ecoaware spectatorial lens to explore live theatre as a living ecosystem in a literal sense.
The Environment on Stage: Scenery or Shapeshifter? investigates a pertinent voice of theatrical performance within the production and reception of ecotheatre. This volume applies an ecoaware spectatorial lens to explore live theatre as a living ecosystem in a literal sense.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Routledge Studies in World Literatures and the Environment
Julie Hudson is an independent writer in the field of ecocriticism. She was awarded her PhD in English and Comparative Literary Studies (Warwick University) in 2018. Her main research interests include the environment and cultural change, ecotheatre, live theatrical events and audience research. Previous publications include: 'Are We Performing Dearth, or is Dearth Performing Us, in Modern Productions of William Shakespeare's "Coriolanus"', in A Cultural History of Famine: Food Security and the Environment in Britain and India, ed. by Ayesha Mukherjee (Routledge, 2018, forthcoming); Food Policy and the Environmental Credit Crunch: From Soup to Nuts (Abingdon: Routledge, 2014), and From Red to Green: How the Environmental Could Bankrupt The Environment (Abingdon: Earthscan, 2011), both co-authored with economist Paul Donovan.
Inhaltsangabe
Introduction: Setting the Ecotheatrical Scene Chapter One: The Environment on Stage in Production and Reception Chapter Two: Natural Disasters as Ecotheatrical Shapeshifters Chapter Three: An Ecotheatrical Perspective on Dearth in Performance Chapter Four: The Environment in Performance - Stage Invasion or Deus ex Machina? Chapter Five: Environmental Theatre, Site Specificity and Theatre Ecologies Chapter Six: Frugal Modes of Story-telling as Ecotheatre Chapter Seven: Bicycles on Stage - Shapeshifters or Scenery? Chapter Eight: Reperforming Reception - The Skriker in 1994 and 2015 Chapter Nine: On the Importance of Intrinsic Environmental Responsibility
Introduction: Setting the Ecotheatrical Scene Chapter One: The Environment on Stage in Production and Reception Chapter Two: Natural Disasters as Ecotheatrical Shapeshifters Chapter Three: An Ecotheatrical Perspective on Dearth in Performance Chapter Four: The Environment in Performance - Stage Invasion or Deus ex Machina? Chapter Five: Environmental Theatre, Site Specificity and Theatre Ecologies Chapter Six: Frugal Modes of Story-telling as Ecotheatre Chapter Seven: Bicycles on Stage - Shapeshifters or Scenery? Chapter Eight: Reperforming Reception - The Skriker in 1994 and 2015 Chapter Nine: On the Importance of Intrinsic Environmental Responsibility
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