This book revises the view of printed ephemera as a trivial or disposable by giving a history of its role in eighteenth-century culture. It explores how tickets, playbills and posters became a way of facilitating social interaction and, for collectors, a means of preserving the evanescence of daily life.
This book revises the view of printed ephemera as a trivial or disposable by giving a history of its role in eighteenth-century culture. It explores how tickets, playbills and posters became a way of facilitating social interaction and, for collectors, a means of preserving the evanescence of daily life.
Gillian Russell is Professor of English at the University of York. A Fellow of the Australian Academy of the Humanities, she is internationally renowned for her innovative interdisciplinary research that began with The Theatres of War: Performance, Culture and Society, 1793¿1815 (1995). She has pioneered field-changing new directions in scholarship ¿ on war and theatre and on the study of sociability. Her books include Romantic Sociability: Social Networks and Literary Culture 1770¿1840 (Cambridge, 2002), co-edited with Clara Tuite, Women, Sociability and Theatre in Georgian London (Cambridge, 2007), and Tracing War in British Enlightenment and Romantic Culture, co-edited with Neil Ramsey (2015).
Inhaltsangabe
Introduction: 'all the ephemera of our lives' 1. Accidental readings and diurnal historiographies: the invention of ephemera 2. Making collections: enlightenment ephemerology 3. The natural history of sociability: Sarah Sophia Banks and her ephemera collections 4. Sarah Sophia Banks' 'magic encyclopedia' 5. 'Announcing each day the performances': playbills as theatre/media history 6. Transacting hospitality: the novel networks of the visiting card 7. England in 1814: frost fairs, peace, and persuasion Conclusion Notes Bibliography Index.
Introduction: 'all the ephemera of our lives' 1. Accidental readings and diurnal historiographies: the invention of ephemera 2. Making collections: enlightenment ephemerology 3. The natural history of sociability: Sarah Sophia Banks and her ephemera collections 4. Sarah Sophia Banks' 'magic encyclopedia' 5. 'Announcing each day the performances': playbills as theatre/media history 6. Transacting hospitality: the novel networks of the visiting card 7. England in 1814: frost fairs, peace, and persuasion Conclusion Notes Bibliography Index.
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