The Erotics of Looking
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From the slyly suggestive to the overtly erotic, many early modern Dutch and Flemish artworks were designed to attract the eye, and yet the messages they convey are often equivocal. The Erotics of Looking: Early Modern Netherlandish Art presents a collection of provocative essays by leading scholars of art that delve into ways that material and pictorial qualities of descriptive artworks appeal to beholders to become involved with them. Exploring complex interrelations between making, displaying, and engaging with paintings and prints, the volume brings forward mechanisms through which visual…mehr

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Produktbeschreibung
From the slyly suggestive to the overtly erotic, many early modern Dutch and Flemish artworks were designed to attract the eye, and yet the messages they convey are often equivocal. The Erotics of Looking: Early Modern Netherlandish Art presents a collection of provocative essays by leading scholars of art that delve into ways that material and pictorial qualities of descriptive artworks appeal to beholders to become involved with them. Exploring complex interrelations between making, displaying, and engaging with paintings and prints, the volume brings forward mechanisms through which visual imagery fostered new forms of association in early modern Europe. An introductory chapter lays out the innovative theoretical framework, arguing that descriptive pictures operated as social things, encouraging people to engage with them through the pleasures they offered the senses, prompting debate and potentially opening up ethical and political considerations about the interconnectedness of pictures and the material world. Challenging familiar interpretive models of iconography, verisimilitude, and social art history, the essays shift the focus away from a picture's meaning toward why art matters, toward how artworks solicit beholders and stimulate deliberation. The Erotics of Looking: Early Modern Netherlandish Art not only offers illuminating insights into ways to look at art - it redefines the concept of art itself.
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Autorenporträt
Angela Vanhaelen is Associate Professor and Chair of the Department of Art History and Communication Studies at McGill University. Her publications include The Wake of Iconoclasm: Painting the Church in the Dutch Republic (2012). Bronwen Wilson is Professor and Head of World Art Studies and Museology at the University of East Anglia. Her publications include The World in Venice: Print, the City, and Early Modern Identity (2005).
Rezensionen
"I highly recommend the ground breaking and landmark bookTheErotics of Looking: Early Modern Netherlandish Art edited byAngela Vanhaelen, Ph.D., and Bronwen Wilson, Ph.D., to any studentsof art and art history, academics in the field, art gallery ownersand managers, art collectors and dealers, and to anyone interestedin the power of the senses and sensuality found in the interactionbetween artist and viewer. This book will transform the way theartists of the early modern Dutch period approached their vision,their works, and their engagement with the viewer of thepaintings." (Blog Business World, 16 August2013)