Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. "The Essense of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French Art.
Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. "The Essense of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French Art.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jay M. Fisher is Deputy Director of Curatorial Affairs at The Baltimore Museum of Art. William R. Johnston is Associate Director and Curator of eighteenth- and nineteenth-century art at The Walters Art Museum. Kimberly Schenck is Conservator at The Baltimore Museum of Art. Cheryl K. Snay is Research Associate, Department of Prints, Drawings, and Photographs at The Baltimore Museum of Art.
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