In 1967, as the movement for civil rights was turning into a bitter, often violent battle for black power, Harold Cruse's The Crisis of the Negro Intellectual burst onto the scene. It was a lacerating attack on integration, and set the agenda for black cultural, social, and political autonomy. A classic of African American social thought, the book and its author went on to influence generations of activists, artists, and scholars. Cruse's intelligence, independence, and breadth of vision virtually defined what it meant to be a black intellectual in modern America. In this first anthology of…mehr
In 1967, as the movement for civil rights was turning into a bitter, often violent battle for black power, Harold Cruse's The Crisis of the Negro Intellectual burst onto the scene. It was a lacerating attack on integration, and set the agenda for black cultural, social, and political autonomy. A classic of African American social thought, the book and its author went on to influence generations of activists, artists, and scholars. Cruse's intelligence, independence, and breadth of vision virtually defined what it meant to be a black intellectual in modern America. In this first anthology of Cruse's writing, William Jelani Cobb provides a powerful introduction to Cruse's wide body of work, including published material such as excerpts from Crisis, as well as unpublished essays, speeches, and correspondence. The Essential Harold Cruse is certain to become standard reading for anyone interested in race in American society.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Howard Cruse; Edited by William Jelani Cobb with a foreword by Stanley Crouch
Inhaltsangabe
Acknowledgements Blue for Brother Cruse; by Stanley Crouch What Is Left? An Introduction PART ONE: EARLY WRITING Essays 1. Salute to Josephine Baker, Magnificent Negro Artist (1951) 2. A Negro Looks at Cuba (Unpublished, 1960) 3. Race and Bohemianism in Greenwich Village (1960) 4. James Baldwin, the Theater and His Critics (Unpublished, 1963) Correspondence 5. Letter to the Amsterdam News (1956) 6. Open Letter to Harry Belafonte (Unpublished, 1956) PART TWO: FROM THE CRISIS OF THE NEGRO INTELLECTUAL (1967) 7. Individualism and the "Open Society" 8. Cultural Leadership and Cultural Democracy 9. Negroes and Jews--The Two Nationalisms and the Bloc(ked) Plurality PART THREE: BLACK POWER ERA Essays 10. On Explaining 20th Century Negro History (1967) 11. The Fire This Time? Elridge Cleaver: Post-Prison Speeches and Writings (1969) 12. The Integrationist Ethic as a Basis for Scholarly Endowment (1969) 13. The Little Rock National Black Political Convention (1974) PART FOUR: FROM REBELLION OR REVOLUTION? (1968) 14. Rebellion or Revolution? I 15. Rebellion or Revolution? II 16. Marxism and the Negro PART FIVE: POST-BLACK POWER WRITINGS Essays 17. The Racial Origins of American Theater: A Response to Robert Brustein (Unpublished) 18. The New Negro History of John Hope Franklin--Promise and Progress (Unpublished) 19. Amilcar Cabral and the Afro-American Reality (1975) 20. The Pan-African Constituency and the Black Electorate (1975) 21. Review of the Paul Robeson Controversy (1979) Correspondence 22. Letter to Ralph Story (Unpublished, 1986) 23. Interludes with Duke Ellington (Unpublished, 1982) 24. Letter to Adolph Reed (Unpublished, 1986) PART SIX: FROM PLURAL BUT EQUAL (1987) 25. Conclusion PART SEVEN: INTERVIEW WITH HAROLD CRUSE 26. An Interview with Harold Cruse (1997) References Index
Acknowledgements Blue for Brother Cruse; by Stanley Crouch What Is Left? An Introduction PART ONE: EARLY WRITING Essays 1. Salute to Josephine Baker, Magnificent Negro Artist (1951) 2. A Negro Looks at Cuba (Unpublished, 1960) 3. Race and Bohemianism in Greenwich Village (1960) 4. James Baldwin, the Theater and His Critics (Unpublished, 1963) Correspondence 5. Letter to the Amsterdam News (1956) 6. Open Letter to Harry Belafonte (Unpublished, 1956) PART TWO: FROM THE CRISIS OF THE NEGRO INTELLECTUAL (1967) 7. Individualism and the "Open Society" 8. Cultural Leadership and Cultural Democracy 9. Negroes and Jews--The Two Nationalisms and the Bloc(ked) Plurality PART THREE: BLACK POWER ERA Essays 10. On Explaining 20th Century Negro History (1967) 11. The Fire This Time? Elridge Cleaver: Post-Prison Speeches and Writings (1969) 12. The Integrationist Ethic as a Basis for Scholarly Endowment (1969) 13. The Little Rock National Black Political Convention (1974) PART FOUR: FROM REBELLION OR REVOLUTION? (1968) 14. Rebellion or Revolution? I 15. Rebellion or Revolution? II 16. Marxism and the Negro PART FIVE: POST-BLACK POWER WRITINGS Essays 17. The Racial Origins of American Theater: A Response to Robert Brustein (Unpublished) 18. The New Negro History of John Hope Franklin--Promise and Progress (Unpublished) 19. Amilcar Cabral and the Afro-American Reality (1975) 20. The Pan-African Constituency and the Black Electorate (1975) 21. Review of the Paul Robeson Controversy (1979) Correspondence 22. Letter to Ralph Story (Unpublished, 1986) 23. Interludes with Duke Ellington (Unpublished, 1982) 24. Letter to Adolph Reed (Unpublished, 1986) PART SIX: FROM PLURAL BUT EQUAL (1987) 25. Conclusion PART SEVEN: INTERVIEW WITH HAROLD CRUSE 26. An Interview with Harold Cruse (1997) References Index
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