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Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition

Produktbeschreibung
Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition
Autorenporträt
Li-Ling Hsiao, D.Phil (2002) in Art and Literature, University of Oxford, is Asssistant Professor of Chinese Language and Literature at the University of North Carolina, Chapel Hill. She has published extensively on the book illustration and theater of sixteenth- and seventeenth-century China.