Throughout Germany's tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate…mehr
Throughout Germany's tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography's multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stefan-Ludwig Hoffmann is Associate Professor for Late Modern Europe in the History Department of the University of California, Berkeley. He is the author of several books on German and transnational history since the Enlightenment, most recently (as editor) Human Rights in the Twentieth-Century (2011) and (as co-editor), Seeking Peace in the Wake of War: Europe 1943-1947 (2015).
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: Photography as an Ethics of Seeing Jennifer Evans Chapter 1. Thoughts on Photography and the Practice of History Elizabeth Edwards Chapter 2. Seeing the 'Savage' and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908 Claudia Siebrecht Chapter 3. The "Face of War" in Weimar Visual Culture Annelie Ramsbrock Chapter 4. Documenting Heimkehr: Photography, Displacement and "Homecoming" in the Nazi Resettlement of Ethnic Germans, 1939-1940 Elizabeth Harvey Chapter 5. Visible Trophies of War: German Occupiers' Photographic Perceptions of France, 1940-44 Julia Torrie Chapter 6. Gazing at Ruins: German Defeat as Visual Experience Stefan-Ludwig Hoffmann Chapter 7. Edmund Kesting's Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany Sarah E. James Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire Jennifer Evans Chapter 9. Photographing Reurbanization in West Berlin, 1977-84 Anna Ross Chapter 10. The Diversification of East Germany's Visual Culture Candice M. Hamelin Chapter 11. The Intimacy of Revolution: 1989 in Pictures Paul Betts Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing Julia Adeney Thomas Index
List of Illustrations Acknowledgements Introduction: Photography as an Ethics of Seeing Jennifer Evans Chapter 1. Thoughts on Photography and the Practice of History Elizabeth Edwards Chapter 2. Seeing the 'Savage' and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908 Claudia Siebrecht Chapter 3. The "Face of War" in Weimar Visual Culture Annelie Ramsbrock Chapter 4. Documenting Heimkehr: Photography, Displacement and "Homecoming" in the Nazi Resettlement of Ethnic Germans, 1939-1940 Elizabeth Harvey Chapter 5. Visible Trophies of War: German Occupiers' Photographic Perceptions of France, 1940-44 Julia Torrie Chapter 6. Gazing at Ruins: German Defeat as Visual Experience Stefan-Ludwig Hoffmann Chapter 7. Edmund Kesting's Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany Sarah E. James Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire Jennifer Evans Chapter 9. Photographing Reurbanization in West Berlin, 1977-84 Anna Ross Chapter 10. The Diversification of East Germany's Visual Culture Candice M. Hamelin Chapter 11. The Intimacy of Revolution: 1989 in Pictures Paul Betts Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing Julia Adeney Thomas Index
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