The Eurovision Song Contest as a Cultural Phenomenon
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Drawing from the wealth of academic literature about Eurovision written over the last two decades, this book consolidates and recognizes Eurovision's relevance in academia by analysing its contribution to different fields of study.

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Produktbeschreibung
Drawing from the wealth of academic literature about Eurovision written over the last two decades, this book consolidates and recognizes Eurovision's relevance in academia by analysing its contribution to different fields of study.
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Autorenporträt
Adam Dubin is a human rights scholar and Assistant Professor of Law at Universidad Pontificia Comillas in Madrid, Spain, as well as an Adjunct Professor of Politics at New York University, USA. He is also a Senior Research Associate at the University of Johannesburg and a Visiting Professor at Southwest University of Politics and Law in China. His research focuses on human rights in sub-Saharan Africa, as well as on the intersection between human rights and pop culture. Dean Vuletic is a Historian of Contemporary Europe based in the Research Center on the History of Transformations at the University of Vienna, Austria. The author of Postwar Europe and the Eurovision Song Contest (2018), he is the world's leading academic expert on the history of the ESC and he has taught the world's first university course on this topic. He is an internationally prominent media commentator and public speaker on the ESC, and further information about his work can be found on his website www.deanvuletic.com. Antonio Obregón was formerly Vice Rector of Academic Affairs and Dean of the Faculty of Law at Universidad Pontificia Comillas. He is a Full Professor of Criminal Law and International Relations. He holds an undergraduate degree in Law and Business Administration and a PhD in Criminal Law. He designed and taught the first seminar in a Spanish university on the ESC and is a frequent commentator on it in the Spanish media.