Examines how copyright can evolve without compromising the interests of authors, users and those who connect them.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Evolution and equilibrium: an introduction Susy Frankel and Daniel Gervais; Part I. Central Players: Authors, Owners, Intermediaries and Users: 1. Exceptional authorship: the role of copyright exceptions in promoting creativity Jane C. Ginsburg; 2. After twenty years: revisiting copyright liability of online intermediaries Niva Elkin-Koren; 3. Overlapping rights: using trademark law to enforce 'copyright'? Irene Calboli; Part II. New Enforcement Regimes: 4. Beyond graduated response Rebecca Giblin; 5. The rise of criminal enforcement of intellectual property rights ... and its failure in the context of copyright infringement on the Internet Christophe Geiger; 6. Administrative enforcement of copyright law in China: a characteristic deserving praise or repealing? Luo Li; Part III. Old Legal Techniques and New Challenges: 7. Out of time? Copyright law and the Australasian judiciary in the digital age Susan Corbett; 8. Internet service provider liability for copyright infringement in Latin America Pablo Wegbrait; 9. New technologies and the scale of copyright infringement: should size matter to liability? Graeme Austin; 10. Facilitating access to information: understanding the role of technology in copyright law Brad Sherman and Leanne Wiseman; Part IV. The Collective Management Solution: 11. Is there potential for collective rights management at the global level? Perspectives of a new global constitutionalism in the creative sector Christoph Graber; 12. Collective management in the twenty-first century from a competition law perspective Yee Wah Chin; 13. Copyright on the Internet: consumer copying and collectives Glynn Lunney; 14. Coda: fair trade music: letting the light shine in Eddies Schwartz.
Evolution and equilibrium: an introduction Susy Frankel and Daniel Gervais; Part I. Central Players: Authors, Owners, Intermediaries and Users: 1. Exceptional authorship: the role of copyright exceptions in promoting creativity Jane C. Ginsburg; 2. After twenty years: revisiting copyright liability of online intermediaries Niva Elkin-Koren; 3. Overlapping rights: using trademark law to enforce 'copyright'? Irene Calboli; Part II. New Enforcement Regimes: 4. Beyond graduated response Rebecca Giblin; 5. The rise of criminal enforcement of intellectual property rights ... and its failure in the context of copyright infringement on the Internet Christophe Geiger; 6. Administrative enforcement of copyright law in China: a characteristic deserving praise or repealing? Luo Li; Part III. Old Legal Techniques and New Challenges: 7. Out of time? Copyright law and the Australasian judiciary in the digital age Susan Corbett; 8. Internet service provider liability for copyright infringement in Latin America Pablo Wegbrait; 9. New technologies and the scale of copyright infringement: should size matter to liability? Graeme Austin; 10. Facilitating access to information: understanding the role of technology in copyright law Brad Sherman and Leanne Wiseman; Part IV. The Collective Management Solution: 11. Is there potential for collective rights management at the global level? Perspectives of a new global constitutionalism in the creative sector Christoph Graber; 12. Collective management in the twenty-first century from a competition law perspective Yee Wah Chin; 13. Copyright on the Internet: consumer copying and collectives Glynn Lunney; 14. Coda: fair trade music: letting the light shine in Eddies Schwartz.
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