Ya-Hui Cheng examines the emergence of popular music genres - jazz, rock, and hip hop - in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization.
Ya-Hui Cheng examines the emergence of popular music genres - jazz, rock, and hip hop - in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization.
Ya-Hui Cheng is Assistant Professor of Music Theory at the University of South Florida.
Inhaltsangabe
Acknowledgments Preface 1. Introduction 2. Early Western Sounds: from Christian-based Music to the Shanghai Modern Song 3. Music in Taiwan: Migration, Westernization, Campus Folksongs, and Rock Music 4. The Collective Sound: From Propaganda Music to Sent-Down Youth Songs 5. Modernizing Chinese Vernacular Music: From Red Songs to Rock Music in China 6. Global Image, Chinese Wind, Rap, and Hip-Hop 7. The Chinese Dream and the Latest Popular Music Scene in Greater China Bibliography Index
Acknowledgments Preface 1. Introduction 2. Early Western Sounds: from Christian-based Music to the Shanghai Modern Song 3. Music in Taiwan: Migration, Westernization, Campus Folksongs, and Rock Music 4. The Collective Sound: From Propaganda Music to Sent-Down Youth Songs 5. Modernizing Chinese Vernacular Music: From Red Songs to Rock Music in China 6. Global Image, Chinese Wind, Rap, and Hip-Hop 7. The Chinese Dream and the Latest Popular Music Scene in Greater China Bibliography Index
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