This book is focused on traditional black and white photographic materials now used in many nontraditional ways. Topics are divided into five sections cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches.
This book is focused on traditional black and white photographic materials now used in many nontraditional ways. Topics are divided into five sections cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Contemporary Practices in Alternative Process Photography
Christina Z. Anderson's work focuses on the contemporary vanitas printed in a variety of 19th century photographic processes. Anderson's work has shown nationally and internationally in 120 shows and 60 publications. Anderson has authored books which have sold in over 40 countries-The Experimental Photography Workbook, Gum Printing and Other Amazing Contact Printing Processes, Gum Printing, A Step by Step Manual Highlighting Artists and Their Creative Practice, Salted Paper Printing, A Step-by-Step Manual Highlighting Contemporary Artists, and Cyanotype: The Blueprint in Contemporary Practice; also Digital Negatives with QuadToneRIP, Demystifying QTR for Photographers and Printmakers co-authored with Ron Reeder, and Handcrafted: The Art and Practice of the Handmade Print co-authored with Wang, Jianming, and King. Anderson is Series Editor for Focal Press/Routledge's Contemporary Practices in Alternative Process Photography series and Professor of Photography at Montana State University. To see her work, visit christinaZanderson.com.
Inhaltsangabe
Preface Introduction Chapter 1: Setting Up the Contemporary Darkroom Chapter 2: Digital Negatives for the Contemporary Darkroom Part 1: Cameraless Experimentaation Chapter 3: Photograms and Cliché-Verres Chapter 4: Lumenprints Chapter 5: The Chemigram Part 2: Camera Experimentation Chapter 6: Pinhole and Zoneplate Chapter 7: The Holga Part 3 - Printing Experimentation Chapter 8: Chromo Chapter 9: Liquid Emulsion and Modern Tintype Chapter 10: Lith Printing Chapter 11: Sabattier Part 4 - Finished Print Experimentation Chapter 12: Mordancage Chapter 13: Bleaching and Bleachout Chapter 14: Toning Chapter 15: Applied Color and Abrasion Tone Chapter 16: Encaustic Collage Photomontage Chapter 17: Bromoil Part 5: Contemporary Experimental Artistis Appendix Bibliography
