First published in J.W. Vaughn's classic, With Crook at the Rosebud more than sixty years ago, the "Crazy Horse" tintype has long been the subject of controversy. Most Indians and non-Indians have denied the existence of any possible photographic portrait of the Lakota mystic warrior, including the tintype. With an open-minded approach, The Face of Crazy Horse looks at the photographic history of the Lakota and at Crazy Horse "the man," debunking the false myths created around the heroic figure of the Oglala war chief; including Crazy Horse's refusal to be photographed for fear his soul would…mehr
First published in J.W. Vaughn's classic, With Crook at the Rosebud more than sixty years ago, the "Crazy Horse" tintype has long been the subject of controversy. Most Indians and non-Indians have denied the existence of any possible photographic portrait of the Lakota mystic warrior, including the tintype. With an open-minded approach, The Face of Crazy Horse looks at the photographic history of the Lakota and at Crazy Horse "the man," debunking the false myths created around the heroic figure of the Oglala war chief; including Crazy Horse's refusal to be photographed for fear his soul would be stolen, and the frozen view of Crazy Horse's unrelenting hatred of the White man. Contextual historical and photographic evidence, and a detailed analysis of the debated image, overall appearance, facial features, clothing, medicine bundle, breast-plate, and accessories, provide convincing evidence that the tintype indeed portrays the face and full portrait of Crazy Horse. This identification has long been supported by affidavits and testimonies from within the Lakota community, foremost those of Mrs. Ellen Howard, Jake Herman, and Dewey Beard (aka Iron Hail), and more recently by Francis White Lance and others.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cesare Marino is a veteran of the Italian Army, holds a Ph.D. in anthropology, and is retired from the Handbook of North American Indians, where he worked as a researcher, writer, and bibliographer. Has contributed articles to the Little Big Horn Associates Research Review, and published books on the Italians and the American Indians, including: "Dal Piave al Little Bighorn" (1996, 2010); "The Remarkable Carlo Gentile: Italian Photographer of the American Frontier" (1998); and "Along the Hudson and Mohawk" (2016, with Karim Tiro). A life-long student of Shotokan karate, he was senior instructor at the Alexandria YMCA, and taught a special karate course to youths at St. Francis Indian School, Rosebud Sioux Reservation, South Dakota. In 2014, he was a guest lecturer on American Indian history and culture at Rikkyo University, Tokyo. Cesare lives in Alexandria, Virginia.
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