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Turn a betrayal inside out and you found its opposite, a secret and a bond. Perhaps that was what friendship came down to: a lifelong, affectionate mutual blackmail.
Neil and Adam, two young men on the cusp of adulthood, meet one golden summer in California and, despite their different backgrounds, soon become best friends. Buton a camping trip in Yosemite they lead each other into wrongdoing that, years later, both will desperately regret.
Their connection holds through love affairs, fatherhood, the wild successes and unforeseen failures of booming London, as power and guilt ebb
…mehr

Produktbeschreibung
Turn a betrayal inside out and you found its opposite, a secret and a bond. Perhaps that was what friendship came down to: a lifelong, affectionate mutual blackmail.

Neil and Adam, two young men on the cusp of adulthood, meet one golden summer in California and, despite their different backgrounds, soon become best friends. Buton a camping trip in Yosemite they lead each other into wrongdoing that, years later, both will desperately regret.

Their connection holds through love affairs, fatherhood, the wild successes and unforeseen failures of booming London, as power and guilt ebb between them.

Then the truth of that long-ago night emerges.

What happens when you discover that the friendship you can't live without was always built on a lie?

Autorenporträt
A. D. Miller studied literature at Cambridge and Princeton. His first novel, Snowdrops - a study in moral degradation set in modern Russia - was shortlisted for the Man Booker Prize, the James Tait Black Prize, the Los Angeles Times Book Awards, the CWA Gold Dagger and the Galaxy National Book Awards; it has been translated into 25 languages.

He is also the author of The Earl of Petticoat Lane, an acclaimed memoir of immigration, class, the Blitz and the underwear industry. A. D. Miller is Writer at Large for The Economist; he was formerly the magazine's Moscow Correspondent and Political Editor. He lives in London with his wife and children.
Rezensionen
Two things make Miller's writing dazzle. One is his glorious perspicacity about people and relationships of all sorts: friendships stained with betrayal and competitiveness, work acquaintanceships and love relationships alike. He's witty as well as insightful . . . Miller's other great strength is the aptness and originality of his metaphors and similes . . . It was a challenge for Miller to impress as much with his second novel as he did with his first, but it is one to which he has risen with assurance Spectator