"The False Laws of Narrative" is a selection of Fred Wah's poems covering the poets entire poetic trajectory to date. A founding editor of "Tish" magazine, Wah was influenced by leading progressive and innovative poets of the 1960s and was at the forefront of the exploration of racial hybridity, multiculturalism, and transnational family roots in poetry. The selection emphasizes his innovative poetic range. Wah is renowned as one of Canada's finest and most complex lyric poets and has been lauded for the musicality of his verse. Louis Cabri's introduction offers a paradigm for thinking about…mehr
"The False Laws of Narrative" is a selection of Fred Wah's poems covering the poets entire poetic trajectory to date. A founding editor of "Tish" magazine, Wah was influenced by leading progressive and innovative poets of the 1960s and was at the forefront of the exploration of racial hybridity, multiculturalism, and transnational family roots in poetry. The selection emphasizes his innovative poetic range. Wah is renowned as one of Canada's finest and most complex lyric poets and has been lauded for the musicality of his verse. Louis Cabri's introduction offers a paradigm for thinking about how sound is actually structured in Wah's improvisatory poetry and offers fresh insights into Wah's context and writing. In an afterword by the poet himself, Wah presents a dialogue between editor and poet on the key themes of the selected poems and reveals his abiding concerns as poet and thinker.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Fred Wah has been involved with a number of literary magazines over the years, such as Open Letter and West Coast Line. Recent books are the biofiction Diamond Grill (1996), Faking It: Poetics and Hybridity (2000), a collection of essays, and Sentenced to Light (2008), a collection of poetic image/text projects. He splits his time between the Kootenays in southeastern B.C. and Vancouver.
Inhaltsangabe
Table of Contents for The False Laws of Narrative: The Poetry of Fred Wah selected with an introduction by Louis Cabri Foreword Neil Besner Biographical Note Introduction Louis Cabri Mountain that has come over me even the eyes akokli (goat) creek Gold Hill Among Poem for Turning For the Western Gate Havoc Nation Hamill's Last Stand Chain severance spring water September spawn nv s ble We are different sounds of o and ree Breathe dust like you breathe wind Sigh. A tenuous slight stream A hight Aug 5 Music at the Heart of Thinking 1 Music at the Heart of Thinking 6 Music at the Heart of Thinking 28 Music at the Heart of Thinking 50 Music at the Heart of Thinking 55 Music at the Heart of Thinking 77 Music at the Heart of Thinking 78 Music at the Heart of Thinking 89 Music at the Heart of Thinking 93 Music at the Heart of Thinking 98 ArtKnot 1 ArtKnot 2 ArtKnot 4 Hermes Poems The Poem Called Syntax Dead in My Tracks: Wildcat Creek Utaniki Hey,Man (sentenced) Ripraps (Louis Cabri) and Afterwords (Fred Wah) Acknowledgements
Table of Contents for The False Laws of Narrative: The Poetry of Fred Wah selected with an introduction by Louis Cabri Foreword Neil Besner Biographical Note Introduction Louis Cabri Mountain that has come over me even the eyes akokli (goat) creek Gold Hill Among Poem for Turning For the Western Gate Havoc Nation Hamill's Last Stand Chain severance spring water September spawn nv s ble We are different sounds of o and ree Breathe dust like you breathe wind Sigh. A tenuous slight stream A hight Aug 5 Music at the Heart of Thinking 1 Music at the Heart of Thinking 6 Music at the Heart of Thinking 28 Music at the Heart of Thinking 50 Music at the Heart of Thinking 55 Music at the Heart of Thinking 77 Music at the Heart of Thinking 78 Music at the Heart of Thinking 89 Music at the Heart of Thinking 93 Music at the Heart of Thinking 98 ArtKnot 1 ArtKnot 2 ArtKnot 4 Hermes Poems The Poem Called Syntax Dead in My Tracks: Wildcat Creek Utaniki Hey,Man (sentenced) Ripraps (Louis Cabri) and Afterwords (Fred Wah) Acknowledgements
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