My book draws on studies shows how the neo-baroque can be understood as a strategy that allows artists in Latin America and the Caribbean to rearticulate the imperial, colonialist gaze of globalization.
My book draws on studies shows how the neo-baroque can be understood as a strategy that allows artists in Latin America and the Caribbean to rearticulate the imperial, colonialist gaze of globalization.
John is associate professor of Spanish, global studies and Latin American and Caribbean studies at the University of Vermont. He has published articles on the literature of Puerto Rico, Mexico, Cuba and their diasporas.
Inhaltsangabe
Table of Contents: Introduction Chapter 1: Globalization, the Neobaroque and the Gaze Chapter 2: El reino de este mundo and the Ghost of Haiti Chapter 3: The National Symptom in Three Puerto Rican Authors: René Marqués, Ana Lydia Vega and Judith Ortiz Cofer Chapter 4: An Interlude: Magical Realism and Failed Incorporation Chapter 5: The Vanishing Real: Magical Realism's Political Swerve in García Márquez's "La increíble y triste historia de la cándida Eréndira y su abuela desalmada" Chapter 6: Engaging the Darkness in Mayra Montero's Tú, la oscuridad
Table of Contents: Introduction Chapter 1: Globalization, the Neobaroque and the Gaze Chapter 2: El reino de este mundo and the Ghost of Haiti Chapter 3: The National Symptom in Three Puerto Rican Authors: René Marqués, Ana Lydia Vega and Judith Ortiz Cofer Chapter 4: An Interlude: Magical Realism and Failed Incorporation Chapter 5: The Vanishing Real: Magical Realism's Political Swerve in García Márquez's "La increíble y triste historia de la cándida Eréndira y su abuela desalmada" Chapter 6: Engaging the Darkness in Mayra Montero's Tú, la oscuridad
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