The Fashion Studies Book - Craik, Jennifer; Peoples, Sharon
189,99 €
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Erscheint vorauss. 1. Januar 2026
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The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

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Produktbeschreibung
The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.
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Autorenporträt
Jennifer Craik is Professor of Communication and Cultural Studies, Faculty of Arts and Design, University of Canberra ACT 2601; and Australia and Adjunct Professor of Fashion and Textiles, School of Fashion and Textiles, Royal Melbourne Institute of Technology University, Melbourne, Australia. Her publications include Fashion: The Key Concepts (Berg, 2009); Uniforms Exposed: From Conformity to Transgression (Berg, 2005), The Face of Fashion: Cultural Studies in Fashion (Routledge, 1994); Public Voices, Private Interests: Australia's Media Policy co-edited with J. J. Bailey & A. Moran (Allen & Unwin, 1994). She edited the journal, Culture and Policy , between 1990 and 1996 and is a member of the editorial board or advisory board of a number of international journals: Journal of Sustainable Tourism ; Journal of Culture and Communication; Communication, Culture and Politics ; Space and Culture; Tourist Studies; Museums Online; Leisure Studies; and Journal of Tourism and Cultural Change. Sharon Peoples is the internship co-ordinator of the internship course in the Museums and Collections Program in Liberal Arts at the Research School of Humanities at the Australian National University (ANU). She now writes in the emerging area of fashion theory as well as maintaining a profile as an exhibiting artist, lecturing in textiles at the ANU School of Art and curating textile exhibitions. She also has lectured and tutored in the Art History Department ANU since 2005 where she completed her PhD, Military Uniforms in the Eighteenth Century: Gender Power and Politics. Her background also includes interior design, theatre design as well as an embroiderer with work held in numerous national and international collections.