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"A highly important reconsideration. Nobody before has properly addressed the intensity of Fauré's engagement with literature and poetry, particularly in terms of showing how it operates musically."--Roy Howat, author of The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier "This book offers an excellent, at times brilliant, contribution to the understanding of Fauré as a singularly inventive composer of song cycles, and a sophisticated compositional 'reader' of poetry."--David J. Code, Reader in Music, University of Glasgow

Produktbeschreibung
"A highly important reconsideration. Nobody before has properly addressed the intensity of Fauré's engagement with literature and poetry, particularly in terms of showing how it operates musically."--Roy Howat, author of The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier "This book offers an excellent, at times brilliant, contribution to the understanding of Fauré as a singularly inventive composer of song cycles, and a sophisticated compositional 'reader' of poetry."--David J. Code, Reader in Music, University of Glasgow
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Autorenporträt
Stephen Rumph is Associate Professor of Music History at the University of Washington. He is the author of Beethoven after Napoleon: Political Romanticism in the Late Works and Mozart and Enlightenment Semiotics. He is also the coeditor of Fauré Studies, part of the Cambridge Composer Series.