The Female-Impersonators - Lind, Earl
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The Female-Impersonators (1922) is an autobiography by Earl Lind. Accompanied by an introduction by Dr. Alfred W. Herzog, Lind's autobiography¿intended for a clinical audience¿has been recognized as a pioneering work in the history of transgender literature. Throughout his life, Lind was forced to justify and defend his existence from puritanical authorities who refused to even recognize the reality of his identity as an androgyne. In this third installment of his autobiographical trilogy, he focuses on the community of androgynes or "female-impersonators" he joined when he moved from…mehr

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Produktbeschreibung
The Female-Impersonators (1922) is an autobiography by Earl Lind. Accompanied by an introduction by Dr. Alfred W. Herzog, Lind's autobiography¿intended for a clinical audience¿has been recognized as a pioneering work in the history of transgender literature. Throughout his life, Lind was forced to justify and defend his existence from puritanical authorities who refused to even recognize the reality of his identity as an androgyne. In this third installment of his autobiographical trilogy, he focuses on the community of androgynes or "female-impersonators" he joined when he moved from Connecticut to New York City. "I was predestined to an unusual role in the great drama we call 'life.' I was brought into the world as one of the rare humans who possess a strong claim, on anatomic grounds as well as psychic, to membership in both the recognized sexes. I was foreordained to live part of my life as man and part as woman." Situating his own identity within the history of transgender oppression, Lind makes the case for recognizing the presence of androgynes in all human societies. Ever since he was a child, Lind identified as feminine and was keenly aware of his homosexual desires, gaining a reputation among the local boys and soon turning to girls for friendship and understanding. In a world that saw androgynes as both corrupt and willfully different, Lind sought to increase understanding and to explain through scientific, historical, and personal evidence why his identity was congenital, and therefore natural. In this final installment of his trilogy of autobiographical works, Lind focuses on the community of androgynes he joined at New York's Columbia Hall, a well-known brothel and gay bar on the Bowery. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
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Autorenporträt
Earl Lind (1874-unknown) was a pioneering transgender autobiographer. Born into a Puritan family in Connecticut, Lind-who also used the pseudonyms "Jennie June" and "Ralph Werther"-asked others to call him Jennie as a child, and soon began identifying as an androgyne. As a young adult, Lind moved to New York City and began participating in the homosexual nightlife centered at Columbia Hall. In 1895, Lind cofounded the Cercle Hermaphroditos, perhaps the first advocacy group for transgender rights in American history. At 28, Lind underwent an operation to be castrated, hoping to suppress his masculine features. Although he identified as feminine, the term "transgender" had yet to be coined in Lind's lifetime, leading Lind to self-identify as an "effeminate man," "androgyne," and "invert." His autobiographical works-The Autobiography of an Androgyne (1918), The Riddle of the Underworld (1921) and The Female-Impersonators (1922)-are considered pioneering works of LGBTQ literature by scholars around the world.