Christopher Chippindale / George Nash (eds.)
The Figured Landscapes of Rock-Art
Herausgeber: Chippindale, Christopher; Nash, George
Christopher Chippindale / George Nash (eds.)
The Figured Landscapes of Rock-Art
Herausgeber: Chippindale, Christopher; Nash, George
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This book addresses the most important component around the rock-art panel - its landscape.
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This book addresses the most important component around the rock-art panel - its landscape.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 422
- Erscheinungstermin: 2. März 2015
- Englisch
- Abmessung: 250mm x 175mm x 27mm
- Gewicht: 904g
- ISBN-13: 9780521818797
- ISBN-10: 0521818796
- Artikelnr.: 24309668
- Verlag: Cambridge University Press
- Seitenzahl: 422
- Erscheinungstermin: 2. März 2015
- Englisch
- Abmessung: 250mm x 175mm x 27mm
- Gewicht: 904g
- ISBN-13: 9780521818797
- ISBN-10: 0521818796
- Artikelnr.: 24309668
CHRISTOPHER CHIPPINDALE is Curator for archaeology collections and Reader in Archaeology at the Cambridge University Museum of Archaeology & Anthropology.
GEORGE NASH is Part-time Lecturer at the Centre for the Historic Environment, Department of Archaeology, University of Bristol.
GEORGE NASH is Part-time Lecturer at the Centre for the Historic Environment, Department of Archaeology, University of Bristol.
1. Pictures in place: approaches to the figured landscapes of rock-art
Christopher Chippindale and George Nash; Part I. Principles of Landscape
and Rock-Art in Practice: 2. Worlds within stone: the inner and outer
rock-art landscapes of northern Australia and southern Africa Paul S. C.
Taçon and Sven Ouzman; 3. Rock-art, landscape, sacred places: attitudes in
contemporary archaeological theory Daniel Arsenault; 4. Locational analysis
in rock-art studies William D. Hyder; 5. From millimetre up to kilometre: a
framework of space and of scale for reporting and studying rock-art in its
landscape Christopher Chippindale; 6. The canvas as the art:
landscape-analysis of the rock-art panel James D. Keyser and George
Poetschat; 7. The landscape setting of rock-painting sites in the Brandberg
(Namibia): infrastructure, Gestaltung, use and meaning Tilman Lenssen-Erz;
Part II. Informed Methods: Opportunities and Applications: 8. Rock-art and
the experienced landscape: the emergence of late-Holocene symbolism in
north-east Australia Bruno David; 9. Linkage between rock-art and landscape
in Aboriginal Australia Josephine Flood; 10. Places of power: the placement
of Dinwoody petroglyphs across the Wyoming landscape Lawrence Loendorf; 11.
Friends in low places: rock-art and landscape on the Modoc Plateau David S.
Whitley, Johannes H. N. Loubser and Don Hann; 12. Dangerous ground: a
critique of landscape in rock-art studies Benjamin W. Smith and Geoffrey
Blundell; Part III. Formal Methods: Opportunities and Applications: 13.
Landscapes in rock-art: rock-carving and ritual in the old European North
Knut Helskog; 14. From natural settings to spiritual places in the
Algonkian sacred landscape: an archaeological, ethnohistorical, and
ethnographic analysis of Canadian Shield rock-art sites Daniel Arsenault;
15. The topographic engravings of Alpine rock-art: fields, settlements and
agricultural landscapes Andrea Arcà; Part IV. Pictures of Pictures: 16.
Walking through landscape: a photographic essay of the Campo Lameiro
Valley, Galicia, north-western Spain George Nash, Lindsey Nash and
Christopher Chippindale.
Christopher Chippindale and George Nash; Part I. Principles of Landscape
and Rock-Art in Practice: 2. Worlds within stone: the inner and outer
rock-art landscapes of northern Australia and southern Africa Paul S. C.
Taçon and Sven Ouzman; 3. Rock-art, landscape, sacred places: attitudes in
contemporary archaeological theory Daniel Arsenault; 4. Locational analysis
in rock-art studies William D. Hyder; 5. From millimetre up to kilometre: a
framework of space and of scale for reporting and studying rock-art in its
landscape Christopher Chippindale; 6. The canvas as the art:
landscape-analysis of the rock-art panel James D. Keyser and George
Poetschat; 7. The landscape setting of rock-painting sites in the Brandberg
(Namibia): infrastructure, Gestaltung, use and meaning Tilman Lenssen-Erz;
Part II. Informed Methods: Opportunities and Applications: 8. Rock-art and
the experienced landscape: the emergence of late-Holocene symbolism in
north-east Australia Bruno David; 9. Linkage between rock-art and landscape
in Aboriginal Australia Josephine Flood; 10. Places of power: the placement
of Dinwoody petroglyphs across the Wyoming landscape Lawrence Loendorf; 11.
Friends in low places: rock-art and landscape on the Modoc Plateau David S.
Whitley, Johannes H. N. Loubser and Don Hann; 12. Dangerous ground: a
critique of landscape in rock-art studies Benjamin W. Smith and Geoffrey
Blundell; Part III. Formal Methods: Opportunities and Applications: 13.
Landscapes in rock-art: rock-carving and ritual in the old European North
Knut Helskog; 14. From natural settings to spiritual places in the
Algonkian sacred landscape: an archaeological, ethnohistorical, and
ethnographic analysis of Canadian Shield rock-art sites Daniel Arsenault;
15. The topographic engravings of Alpine rock-art: fields, settlements and
agricultural landscapes Andrea Arcà; Part IV. Pictures of Pictures: 16.
Walking through landscape: a photographic essay of the Campo Lameiro
Valley, Galicia, north-western Spain George Nash, Lindsey Nash and
Christopher Chippindale.
1. Pictures in place: approaches to the figured landscapes of rock-art
Christopher Chippindale and George Nash; Part I. Principles of Landscape
and Rock-Art in Practice: 2. Worlds within stone: the inner and outer
rock-art landscapes of northern Australia and southern Africa Paul S. C.
Taçon and Sven Ouzman; 3. Rock-art, landscape, sacred places: attitudes in
contemporary archaeological theory Daniel Arsenault; 4. Locational analysis
in rock-art studies William D. Hyder; 5. From millimetre up to kilometre: a
framework of space and of scale for reporting and studying rock-art in its
landscape Christopher Chippindale; 6. The canvas as the art:
landscape-analysis of the rock-art panel James D. Keyser and George
Poetschat; 7. The landscape setting of rock-painting sites in the Brandberg
(Namibia): infrastructure, Gestaltung, use and meaning Tilman Lenssen-Erz;
Part II. Informed Methods: Opportunities and Applications: 8. Rock-art and
the experienced landscape: the emergence of late-Holocene symbolism in
north-east Australia Bruno David; 9. Linkage between rock-art and landscape
in Aboriginal Australia Josephine Flood; 10. Places of power: the placement
of Dinwoody petroglyphs across the Wyoming landscape Lawrence Loendorf; 11.
Friends in low places: rock-art and landscape on the Modoc Plateau David S.
Whitley, Johannes H. N. Loubser and Don Hann; 12. Dangerous ground: a
critique of landscape in rock-art studies Benjamin W. Smith and Geoffrey
Blundell; Part III. Formal Methods: Opportunities and Applications: 13.
Landscapes in rock-art: rock-carving and ritual in the old European North
Knut Helskog; 14. From natural settings to spiritual places in the
Algonkian sacred landscape: an archaeological, ethnohistorical, and
ethnographic analysis of Canadian Shield rock-art sites Daniel Arsenault;
15. The topographic engravings of Alpine rock-art: fields, settlements and
agricultural landscapes Andrea Arcà; Part IV. Pictures of Pictures: 16.
Walking through landscape: a photographic essay of the Campo Lameiro
Valley, Galicia, north-western Spain George Nash, Lindsey Nash and
Christopher Chippindale.
Christopher Chippindale and George Nash; Part I. Principles of Landscape
and Rock-Art in Practice: 2. Worlds within stone: the inner and outer
rock-art landscapes of northern Australia and southern Africa Paul S. C.
Taçon and Sven Ouzman; 3. Rock-art, landscape, sacred places: attitudes in
contemporary archaeological theory Daniel Arsenault; 4. Locational analysis
in rock-art studies William D. Hyder; 5. From millimetre up to kilometre: a
framework of space and of scale for reporting and studying rock-art in its
landscape Christopher Chippindale; 6. The canvas as the art:
landscape-analysis of the rock-art panel James D. Keyser and George
Poetschat; 7. The landscape setting of rock-painting sites in the Brandberg
(Namibia): infrastructure, Gestaltung, use and meaning Tilman Lenssen-Erz;
Part II. Informed Methods: Opportunities and Applications: 8. Rock-art and
the experienced landscape: the emergence of late-Holocene symbolism in
north-east Australia Bruno David; 9. Linkage between rock-art and landscape
in Aboriginal Australia Josephine Flood; 10. Places of power: the placement
of Dinwoody petroglyphs across the Wyoming landscape Lawrence Loendorf; 11.
Friends in low places: rock-art and landscape on the Modoc Plateau David S.
Whitley, Johannes H. N. Loubser and Don Hann; 12. Dangerous ground: a
critique of landscape in rock-art studies Benjamin W. Smith and Geoffrey
Blundell; Part III. Formal Methods: Opportunities and Applications: 13.
Landscapes in rock-art: rock-carving and ritual in the old European North
Knut Helskog; 14. From natural settings to spiritual places in the
Algonkian sacred landscape: an archaeological, ethnohistorical, and
ethnographic analysis of Canadian Shield rock-art sites Daniel Arsenault;
15. The topographic engravings of Alpine rock-art: fields, settlements and
agricultural landscapes Andrea Arcà; Part IV. Pictures of Pictures: 16.
Walking through landscape: a photographic essay of the Campo Lameiro
Valley, Galicia, north-western Spain George Nash, Lindsey Nash and
Christopher Chippindale.