The Film Minister
Goebbels and the Cinema in the 'Third Reich'. With a foreword by Volker Schlöndorff
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"It is my ultimate goal to establish the German film as the dominant cultural world power." (Joseph Goebbels in 1941.)There is probably no other politician who has exerted so much power over the medium of film as Joseph Goebbels, Propaganda Ministerin the "Third Reich". As a minister and a key figure in the state Goebbels was one of the most powerful men in Nazi Germany, and at the same time the top producer, studio boss, director, screenplay author and censor in the country. It is completely accepted today that Hitler's and Goebbels' abilities as master showmen, their staging skills and influ...
"It is my ultimate goal to establish the German film as the dominant cultural world power." (Joseph Goebbels in 1941.)
There is probably no other politician who has exerted so much power over the medium of film as Joseph Goebbels, Propaganda Ministerin the "Third Reich". As a minister and a key figure in the state Goebbels was one of the most powerful men in Nazi Germany, and at the same time the top producer, studio boss, director, screenplay author and censor in the country. It is completely accepted today that Hitler's and Goebbels' abilities as master showmen, their staging skills and influence on film as a dream machine helped to lengthen the Second World War. Adopting the style of studio tycoons like David O. Selznick or Louis B. Mayer, Goebbels tried his hand at controlling the German film industry. The American cinema was his great model, and his vision involved making German film into Hollywood's only competitor. Goebbels constantly sought the right mixture of propaga nd
There is probably no other politician who has exerted so much power over the medium of film as Joseph Goebbels, Propaganda Ministerin the "Third Reich". As a minister and a key figure in the state Goebbels was one of the most powerful men in Nazi Germany, and at the same time the top producer, studio boss, director, screenplay author and censor in the country. It is completely accepted today that Hitler's and Goebbels' abilities as master showmen, their staging skills and influence on film as a dream machine helped to lengthen the Second World War. Adopting the style of studio tycoons like David O. Selznick or Louis B. Mayer, Goebbels tried his hand at controlling the German film industry. The American cinema was his great model, and his vision involved making German film into Hollywood's only competitor. Goebbels constantly sought the right mixture of propaga nd
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