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This book addresses director David Lynch's films from the perspective of the relationship between commercial film, avant-garde art and cultural theory. It offers a unique perspective on the director, weaving together a range of theoretical approaches to Lynch's films to make new connections among film theory, art history, psychoanalysis and cinema.

Produktbeschreibung
This book addresses director David Lynch's films from the perspective of the relationship between commercial film, avant-garde art and cultural theory. It offers a unique perspective on the director, weaving together a range of theoretical approaches to Lynch's films to make new connections among film theory, art history, psychoanalysis and cinema.
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