Alyssa DeBlasio

The Filmmaker's Philosopher

Merab Mamardashvili and Russian Cinema

• Broschiertes Buch

Produktbeschreibung

Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov.

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Produktdetails

• Verlag: Edinburgh University Press
• Seitenzahl: 216
• Erscheinungstermin: 31. August 2021
• Englisch
• Abmessung: 153mm x 233mm x 17mm
• Gewicht: 338g
• ISBN-13: 9781474444491
• ISBN-10: 1474444490
• Artikelnr.: 59990464

Autorenporträt

Alyssa DeBlasio is Associate Professor of Russian at Dickinson College, where she also contributes to the Film Studies and Philosophy programs.

Inhaltsangabe

Acknowledgements
Notes on Transliteration
Introduction: The Freest Man in the USSR
Chapter One: Alexander Sokurov's Demoted (1980): Consciousness as
Celebration
Chapter Two: Ivan Dykhovichnyi's The Black Monk (1988): Madness, Chekhov,
and the Chimera of Idleness
Chapter Three: Dmitry Mamuliya's Another Sky (2010): The Language of
Consciousness
Chapter Four: Alexei Balabanov's The Castle (1994) and Me Too (2012):
Kafka, the Absurd, and the Death of Form
Chapter Five: Alexander Zeldovich's Target (2011): Tolstoy and
Mamardashvili on the Infinite and the Earthly
Chapter Six: Vadim Abdrashitov and Alexander Mindadze's The Train Stopped
(1982): Film as a Metaphor for Consciousness
Conclusion: Andrey Zvyagintsev's Loveless (2017): The Philosophical Image
and the Possibilities of Film
Bibliography
Appendix