The first comprehensive study of the feature films of India's most distinguished contemporary filmmaker. This work offers a compelling analysis of the director's treatment of guilt, redemption and hope within their socio-historical contexts.
The first comprehensive study of the feature films of India's most distinguished contemporary filmmaker. This work offers a compelling analysis of the director's treatment of guilt, redemption and hope within their socio-historical contexts.
Introduction 1. Things Fall Apart: 'Mukhamukham' and the Failure of the Collective 2. The Domain of Inertia: 'Elippathayam' and the Crisis of Masculinity 3. Master and Slave: 'Vidheyan' and the Debasement of Power 4. The Server and the Served: 'Kodiyettam' and the Politics of Consumption 5. The Search for Home: 'Swayamvaram' and the Struggle with Conscience 6. Woman in the Doorway: 'Naalu Pennungal' and 'Oru Pennum Randaanum' 7. Making the Imaginary Real: 'Anantaram', 'Mathilukal' and 'Nizhalkkuthu' 8. The Dream of Emancipation: 'Kathapurushan' and the Triumph of the Individual Filmography Notes Bibliography About the Author Index
Introduction 1. Things Fall Apart: 'Mukhamukham' and the Failure of the Collective 2. The Domain of Inertia: 'Elippathayam' and the Crisis of Masculinity 3. Master and Slave: 'Vidheyan' and the Debasement of Power 4. The Server and the Served: 'Kodiyettam' and the Politics of Consumption 5. The Search for Home: 'Swayamvaram' and the Struggle with Conscience 6. Woman in the Doorway: 'Naalu Pennungal' and 'Oru Pennum Randaanum' 7. Making the Imaginary Real: 'Anantaram', 'Mathilukal' and 'Nizhalkkuthu' 8. The Dream of Emancipation: 'Kathapurushan' and the Triumph of the Individual Filmography Notes Bibliography About the Author Index
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