This timely book reveals that even as Bong Joon Ho has emerged as a major global auteur with works like Snowpiercer (2013) and the Oscar®-award winning Parasite (2019), his films hybridize Hollywood conventions with local realities in order to engage with distinctly Korean social and political contexts that may elude many Western viewers.
This timely book reveals that even as Bong Joon Ho has emerged as a major global auteur with works like Snowpiercer (2013) and the Oscar®-award winning Parasite (2019), his films hybridize Hollywood conventions with local realities in order to engage with distinctly Korean social and political contexts that may elude many Western viewers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
NAM LEE is an associate professor of film studies in the Dodge College of Film and Media Arts at Chapman University in Orange, California. Formerly a film critic and journalist in South Korea, she has published numerous film reviews as well as academic journal articles and book chapters on Korean cinema.
Inhaltsangabe
Table of Contents List of Illustrations Preface Introduction Chapter 1 A New Cultural Generation Chapter 2 Cinematic "Perversions": Tonal Shifts, Visual Gags and Techniques of Defamiliarization Chapter 3 Social Pujoris and the "Narratives of Failure": Transnational Genre and Local Politics in Memories of Murder and The Host Chapter 4 Monsters Within: Moral Ambiguity and Anomie in Barking Dogs Never Bite and Mother Chapter 5 Beyond the Local: Global Politics and Neoliberal Capitalism in Snowpiercer and Okja Conclusion: Parasite, A New Beginning?
Table of Contents List of Illustrations Preface Introduction Chapter 1 A New Cultural Generation Chapter 2 Cinematic "Perversions": Tonal Shifts, Visual Gags and Techniques of Defamiliarization Chapter 3 Social Pujoris and the "Narratives of Failure": Transnational Genre and Local Politics in Memories of Murder and The Host Chapter 4 Monsters Within: Moral Ambiguity and Anomie in Barking Dogs Never Bite and Mother Chapter 5 Beyond the Local: Global Politics and Neoliberal Capitalism in Snowpiercer and Okja Conclusion: Parasite, A New Beginning?
Filmography Bibliography
Index
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