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Gennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage.

Produktbeschreibung
Gennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage.
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Autorenporträt
Gennifer Weisenfeld is Walter H. Annenberg Distinguished Professor of Art and Art History at Duke University. She is the author of Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan, Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923, and Mavo: Japanese Artists and the Avant-Garde, 1905–1931.