Pannill Camp is Assistant Professor of Drama at Washington University, St Louis. His research examines points of intersection between theatre history and the history of philosophy, especially in eighteenth-century France. Before joining the faculty of Washington University, he was a postdoctoral fellow at the Humanities Center at Harvard University, Massachusetts and taught in Harvard's Department of the History of Art and Architecture. At Brown University, Rhode Island, he won the Joukowski Family Foundation's Award for Outstanding Dissertation in the Humanities, and the Weston Award for theatre directing. His work has been published in journals including Theatre Journal, Performance Research, the Journal for Eighteenth-Century Studies, and the Journal of Dramatic Theory and Criticism.
Inhaltsangabe
Introduction: the 'first frame' of Enlightenment theatre space 1. The divided scene of theatre space in the Neo-classical era 2. The theatrical frame in French Neo-classical dramatic theory 3. Enlightenment spectators and the theatre of experiment 4. Theatre architecture reform and the spectator as sense function 5. Optics and stage space in Enlightenment theatre design Epilogue: modern spectatorial consciousness Appendix: dedicated public theatres built in France, 1752¿90.
Introduction: the 'first frame' of Enlightenment theatre space 1. The divided scene of theatre space in the Neo-classical era 2. The theatrical frame in French Neo-classical dramatic theory 3. Enlightenment spectators and the theatre of experiment 4. Theatre architecture reform and the spectator as sense function 5. Optics and stage space in Enlightenment theatre design Epilogue: modern spectatorial consciousness Appendix: dedicated public theatres built in France, 1752¿90.
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