The Flower of Battle - Chidester, Michael
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Fiore dei Liberi was a weapons-master from Italy who was active in the 14th and early 15th century. After fifty years of training Italy's elite, he put his art to paper and created the Flower of Battle. The Flower of Battle covers the use of the dagger, sword, spear, axe as well as fighting in armor, on horseback, and other odds and ends. MS M 383, owned by the Morgan Library and Museum, differs from the other Italian versions by beginning with fighting on horseback and moving to foot combat with progressively smaller weapons. It has been transcribed and translated by Michael Chidester, who…mehr

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Produktbeschreibung
Fiore dei Liberi was a weapons-master from Italy who was active in the 14th and early 15th century. After fifty years of training Italy's elite, he put his art to paper and created the Flower of Battle. The Flower of Battle covers the use of the dagger, sword, spear, axe as well as fighting in armor, on horseback, and other odds and ends. MS M 383, owned by the Morgan Library and Museum, differs from the other Italian versions by beginning with fighting on horseback and moving to foot combat with progressively smaller weapons. It has been transcribed and translated by Michael Chidester, who also wrote a codicological analysis and an overview of dueling at the turn of the 15th century to help contextualize the treatise. An appendix includes a paper by Jay Leccese that analyzes the artwork and explores connections to others of Fiore's manuscripts.
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Autorenporträt
Michael Chidester is the Editor-in-Chief of Wiktenauer and, as Director of the Wiktenauer, an officer of the non-profit HEMA Alliance. Michael is a Research Scholar of the Meyer Freifechter Guild, a founding member of the Society for Historical European Martial Arts Studies (SHEMAS), a member of the Western Martial Arts Coalition (WMAC), and a Lifetime Member of the HEMA Alliance. He has lectured on historical martial arts across North America and Europe, and has authored or edited several books. His most recent project is creating exact replicas of fencing manuscripts through a company called HEMA Bookshelf, with the objective of helping fencers learn more about the physical properties of the works we study.