The Flying Inn - Chesterton, G. K.
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"The Flying Inn" was published in 1914. The word "flying" in the context of the title of this book has the meaning of moving rapidly from place to place. In its visionary treatment of human interactions, and in identifying the severe threat that we face from Islam, it is indeed prophetic. In 1914, who could have imagined that Islam would become such a powerful force in England? The idea would have been utterly preposterous. And yet here we are. Scholars of Islam, such as Robert Spencer, have been barred entry into the UK, simply for having studied Islam in great depth, lectured upon it, and…mehr

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Produktbeschreibung
"The Flying Inn" was published in 1914. The word "flying" in the context of the title of this book has the meaning of moving rapidly from place to place. In its visionary treatment of human interactions, and in identifying the severe threat that we face from Islam, it is indeed prophetic. In 1914, who could have imagined that Islam would become such a powerful force in England? The idea would have been utterly preposterous. And yet here we are. Scholars of Islam, such as Robert Spencer, have been barred entry into the UK, simply for having studied Islam in great depth, lectured upon it, and written books. Those 'at the top' of society are clearly nervous of such knowledge. G.K. Chesterton shows foresight about a betrayal of this country from the top down and prescience in warning of the threat of Islam.
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Autorenporträt
Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius."[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards. Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.