What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? This title deals with these questions.
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? This title deals with these questions.
Preface. Ten Points to Begin xi 1. A Tear That Does Not Drop, But Folds 2. Film Theory's Absent Center Interval. Solitude 3. The Illumination of Light 4. Grief and the Undialectical Image 5. Aesthetic Exclusions and the Worse than the Worst 6. Disgust and the Cinema of > Interlude. Formalism and Affectivity 7. Intermittency, Embarrassment, Dismay 8. Nothing/Will Have Taken Place/But the Place: Open Water Anxiety 9. To Begin Again: The Ingression of Joyful Forms Acknowledgments Notes Bibliography Index
Preface. Ten Points to Begin xi 1. A Tear That Does Not Drop, But Folds 2. Film Theory's Absent Center Interval. Solitude 3. The Illumination of Light 4. Grief and the Undialectical Image 5. Aesthetic Exclusions and the Worse than the Worst 6. Disgust and the Cinema of > Interlude. Formalism and Affectivity 7. Intermittency, Embarrassment, Dismay 8. Nothing/Will Have Taken Place/But the Place: Open Water Anxiety 9. To Begin Again: The Ingression of Joyful Forms Acknowledgments Notes Bibliography Index
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