The Frame in Classical Art
Herausgeber: Platt, Verity J.; Squire, Michael
The Frame in Classical Art
Herausgeber: Platt, Verity J.; Squire, Michael
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This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.
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This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 736
- Erscheinungstermin: 29. Oktober 2020
- Englisch
- Abmessung: 244mm x 170mm x 39mm
- Gewicht: 1247g
- ISBN-13: 9781316614815
- ISBN-10: 1316614816
- Artikelnr.: 59997528
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 736
- Erscheinungstermin: 29. Oktober 2020
- Englisch
- Abmessung: 244mm x 170mm x 39mm
- Gewicht: 1247g
- ISBN-13: 9781316614815
- ISBN-10: 1316614816
- Artikelnr.: 59997528
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Part I. Framing the Frame: 1. Framing the visual in Greek and Roman
antiquity: an introduction Verity Platt and Michael Squire; Part II.
Framing Pictorial Space: Introduction Verity Platt; 2. The frames of Greek
painted pottery Clemente Marconi; 3. Unframing the representation: the
frontal face in Athenian vase painting Guy Hedreen; 4. Framing the Roman
still life: Campanian wall painting and the frames of make-believe Michael
Squire; Part III. Framing Bodies: Introduction Michael Squire; 5. Framing
Archaic Greek sculpture: figure, ornament and script Nikolaus Dietrich; 6.
Framing and social identity in Roman portrait statues Jennifer Trimble; 7.
Framing the dead on Roman sarcophagi Verity Platt; Part IV. Framing the
Sacred: Introduction Verity Platt; 8. Framing divine bodies in Greek art
Milette Gaifman; 9. How the Gauls broke the frame: the political and
theological impact of taking battle scenes off Greek temples Robin Osborne;
10. Visual ontologies: style, archaism and framing in the construction of
the sacred in the western tradition Jas' Elsner; Part V. Framing texts:
Introduction Michael Squire; 11. Framing technologies in Hero and Ptolemy
Courtney Roby; 12. Writing, reading, and seeing between the lines: framing
late-antique inscriptions as texts and images Sean V. Leatherbury; 13.
Envoi: framing 'antiquity' Rebecca Zorach.
antiquity: an introduction Verity Platt and Michael Squire; Part II.
Framing Pictorial Space: Introduction Verity Platt; 2. The frames of Greek
painted pottery Clemente Marconi; 3. Unframing the representation: the
frontal face in Athenian vase painting Guy Hedreen; 4. Framing the Roman
still life: Campanian wall painting and the frames of make-believe Michael
Squire; Part III. Framing Bodies: Introduction Michael Squire; 5. Framing
Archaic Greek sculpture: figure, ornament and script Nikolaus Dietrich; 6.
Framing and social identity in Roman portrait statues Jennifer Trimble; 7.
Framing the dead on Roman sarcophagi Verity Platt; Part IV. Framing the
Sacred: Introduction Verity Platt; 8. Framing divine bodies in Greek art
Milette Gaifman; 9. How the Gauls broke the frame: the political and
theological impact of taking battle scenes off Greek temples Robin Osborne;
10. Visual ontologies: style, archaism and framing in the construction of
the sacred in the western tradition Jas' Elsner; Part V. Framing texts:
Introduction Michael Squire; 11. Framing technologies in Hero and Ptolemy
Courtney Roby; 12. Writing, reading, and seeing between the lines: framing
late-antique inscriptions as texts and images Sean V. Leatherbury; 13.
Envoi: framing 'antiquity' Rebecca Zorach.
Part I. Framing the Frame: 1. Framing the visual in Greek and Roman
antiquity: an introduction Verity Platt and Michael Squire; Part II.
Framing Pictorial Space: Introduction Verity Platt; 2. The frames of Greek
painted pottery Clemente Marconi; 3. Unframing the representation: the
frontal face in Athenian vase painting Guy Hedreen; 4. Framing the Roman
still life: Campanian wall painting and the frames of make-believe Michael
Squire; Part III. Framing Bodies: Introduction Michael Squire; 5. Framing
Archaic Greek sculpture: figure, ornament and script Nikolaus Dietrich; 6.
Framing and social identity in Roman portrait statues Jennifer Trimble; 7.
Framing the dead on Roman sarcophagi Verity Platt; Part IV. Framing the
Sacred: Introduction Verity Platt; 8. Framing divine bodies in Greek art
Milette Gaifman; 9. How the Gauls broke the frame: the political and
theological impact of taking battle scenes off Greek temples Robin Osborne;
10. Visual ontologies: style, archaism and framing in the construction of
the sacred in the western tradition Jas' Elsner; Part V. Framing texts:
Introduction Michael Squire; 11. Framing technologies in Hero and Ptolemy
Courtney Roby; 12. Writing, reading, and seeing between the lines: framing
late-antique inscriptions as texts and images Sean V. Leatherbury; 13.
Envoi: framing 'antiquity' Rebecca Zorach.
antiquity: an introduction Verity Platt and Michael Squire; Part II.
Framing Pictorial Space: Introduction Verity Platt; 2. The frames of Greek
painted pottery Clemente Marconi; 3. Unframing the representation: the
frontal face in Athenian vase painting Guy Hedreen; 4. Framing the Roman
still life: Campanian wall painting and the frames of make-believe Michael
Squire; Part III. Framing Bodies: Introduction Michael Squire; 5. Framing
Archaic Greek sculpture: figure, ornament and script Nikolaus Dietrich; 6.
Framing and social identity in Roman portrait statues Jennifer Trimble; 7.
Framing the dead on Roman sarcophagi Verity Platt; Part IV. Framing the
Sacred: Introduction Verity Platt; 8. Framing divine bodies in Greek art
Milette Gaifman; 9. How the Gauls broke the frame: the political and
theological impact of taking battle scenes off Greek temples Robin Osborne;
10. Visual ontologies: style, archaism and framing in the construction of
the sacred in the western tradition Jas' Elsner; Part V. Framing texts:
Introduction Michael Squire; 11. Framing technologies in Hero and Ptolemy
Courtney Roby; 12. Writing, reading, and seeing between the lines: framing
late-antique inscriptions as texts and images Sean V. Leatherbury; 13.
Envoi: framing 'antiquity' Rebecca Zorach.