The Fraudster - Balzac, Honore de
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Balzac to Mme Hanska: "This play is a man fighting against his creditors and the ruses he uses to escape them." The name has remained in the language to designate a glib-tongued promoter of doubtful enterprises. But it is more than a character comedy; it is also one of manners and a satire on an epoch of frenzied speculation, when small business gave way to large combinations and stock-companies, when money, not honor, was the god of France... It is the earliest representative of naturalism on the stage. Joseph L Borgerhoff, 1931 The great theme of THE FRAUDSTER is the void. This void is…mehr

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Produktbeschreibung
Balzac to Mme Hanska: "This play is a man fighting against his creditors and the ruses he uses to escape them." The name has remained in the language to designate a glib-tongued promoter of doubtful enterprises. But it is more than a character comedy; it is also one of manners and a satire on an epoch of frenzied speculation, when small business gave way to large combinations and stock-companies, when money, not honor, was the god of France... It is the earliest representative of naturalism on the stage. Joseph L Borgerhoff, 1931 The great theme of THE FRAUDSTER is the void. This void is incarnate is Godeau, the phantom partner always awaited, never seen, and who eventually creates a fortune from his void alone. Godeau is an invention for producing hallucinations; Godeau is not a creature, he's an absence, but this absence exists because Godeau is a function...Balzac saw the coming modern age no longer as the world of property and individuals (categories in the Napoleonic code), but as that of functions and values. What exists is no longer what is but what is assumed to be. In THE FRAUDSTER all the characters are voids (except the women), but they exist because their vacuity is contiguous: they assume one another to exist. Roland Barthes
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Autorenporträt
Honoré de Balzac was a renowned French novelist and playwright born on May 20, 1799, in Tours, France. He is best known for his monumental work La Comédie Humaine, a series of interconnected novels and stories that provide a detailed and vivid portrayal of French society in the first half of the 19th century. Balzac's early life was marked by financial struggles and various business ventures that failed, leading him to focus on writing to achieve financial stability and recognition. His initial attempts at writing under pseudonyms were not successful, but he persevered and eventually found his voice, achieving fame with works such as Eugénie Grandet and Père Goriot. Balzac's writing is characterized by his keen observation, complex characters, and detailed depiction of social, political, and economic conditions. His characters are often vividly drawn and represent a wide spectrum of society, from the wealthy aristocrats to the struggling poor. He had a particular talent for exploring the motivations and psychological depth of his characters, making his stories resonate with readers. Balzac was known for his prodigious work ethic, often writing for long hours to meet the demands of his prolific output. Despite his financial success, he continued to face monetary difficulties throughout his life due to his extravagant lifestyle and poor financial decisions. Honoré de Balzac passed away on August 18, 1850, in Paris, but his legacy endures through his vast and impactful body of work, which continues to be celebrated for its depth, insight, and enduring relevance.