The Freedom of the City - Downing Lay, Charles
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"Congestion is the life of the city . . . it is what we came for, what we stay for, what we hunger for", wrote Charles Downing Lay, prominent American landscape architect and planner of the early 1920s. These words are relevant today as density and congestion are once again under siege, especially in our most productive and thriving cities. Published in 1926, The Freedom of the City by Charles Downing Lay is an eloquent and timely defense of urbanism and city life. Award-winning author and urban historian Thomas J. Campanella has given Lay's text new life and relevance, with the addition of…mehr

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Produktbeschreibung
"Congestion is the life of the city . . . it is what we came for, what we stay for, what we hunger for", wrote Charles Downing Lay, prominent American landscape architect and planner of the early 1920s. These words are relevant today as density and congestion are once again under siege, especially in our most productive and thriving cities. Published in 1926, The Freedom of the City by Charles Downing Lay is an eloquent and timely defense of urbanism and city life. Award-winning author and urban historian Thomas J. Campanella has given Lay's text new life and relevance, with the addition of explanatory notes, imagery, an introduction, and biographical essay, to bring this important work to a new generation of urbanists. -- Provided by the publisher.
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Autorenporträt
Charles Downing Lay (1877-1956) was a landscape architect, city planner, artist, author, and essayist. Born in the Hudson Valley and raised in New York City, he studied with Frederick Law Olmsted, Jr. at Harvard before taking a leadership post with the New York City Department of Parks. Thomas J. Campanella is Professor of City and Regional Planning at Cornell University and Historian-in-Residence of the New York City Parks Department. He has held Guggenheim and Fulbright fellowships and is a Fellow of the American Academy in Rome. His most recent book, Brooklyn: The Once and Future City (2019), was a finalist for the Brendan Gill Prize from the Municipal Arts Society of New York.