The French Revolution and the British Novel in the Romantic Period
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This book is a major reassessment of the French Revolution's impact on the English novel of the Romantic period. Focusing particularly - but by no means exclusively - on women writers of the time, it explores the enthusiasm, wariness, or hostility with which the Revolution was interpreted and represented for then-contemporary readers. A team of international scholars study how English Romantic novelists sought to guide the British response to an event that seemed likely to turn the world upside down.

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Produktbeschreibung
This book is a major reassessment of the French Revolution's impact on the English novel of the Romantic period. Focusing particularly - but by no means exclusively - on women writers of the time, it explores the enthusiasm, wariness, or hostility with which the Revolution was interpreted and represented for then-contemporary readers. A team of international scholars study how English Romantic novelists sought to guide the British response to an event that seemed likely to turn the world upside down.
Autorenporträt
A. D. Cousins is Professor of English at Macquarie University, Australia. A member of the Australian Academy of the Humanities, he has published widely on early modern British literature and culture; his most recent publication is The Cambridge Companion to the Sonnet (with Peter Howarth). Dani Napton is an honorary associate at Macquarie University. Her research is focused on English non-dramatic literature and culture from 1750 to 1900, with special attention to the history of ideas, rhetorical theory and practice, genre, landscape/place narrative and political theory, and historiography and representations of revolution and counterrevolution. Stephanie Russo is a lecturer at Macquarie University. Her research is focused on the eighteenth- and nineteenth-century novel, particularly on gender, politics, the history of ideas, and representations of revolution and counter-revolution.