The Future of Digital Data, Heritage and Curation critiques digital cultural heritage concepts, their application to data and develops new theories, curatorial practices and a more-than human museology for a contemporary and future world.
The Future of Digital Data, Heritage and Curation critiques digital cultural heritage concepts, their application to data and develops new theories, curatorial practices and a more-than human museology for a contemporary and future world.
Fiona R. Cameron is Senior Research Fellow at the Institute for Culture and Society, Western Sydney University, Australia. Her research is directed to the figuration of museum and digital cultural heritage theory and curatorial practice for a more-than-human world.
Inhaltsangabe
1. Introduction: Refiguring digital cultural heritage and curation 2. The official birth of digital data as universal heritage 3. Digital data as the heritage of the modern world 4. Object concepts in digital cultural heritage 5. From objects to ecological formations 6. Digital data and artifactual production 7. Curating inside the archive and out in the world 8. The rise of more-than-human digital heritage in the Technosphere 9. Conclusion: Framing a more-than-human digital museology
1. Introduction: Refiguring digital cultural heritage and curation 2. The official birth of digital data as universal heritage 3. Digital data as the heritage of the modern world 4. Object concepts in digital cultural heritage 5. From objects to ecological formations 6. Digital data and artifactual production 7. Curating inside the archive and out in the world 8. The rise of more-than-human digital heritage in the Technosphere 9. Conclusion: Framing a more-than-human digital museology
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