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Natural history museums are changing, both because of their own internal development and in response to changes in context. Historically, the aim of collecting from nature was to develop encyclopedic assemblages to satisfy human curiosity and build a basis for taxonomic information. Today, with global biodiversity in rapid decline, there are new reasons to build and maintain collections, while audiences are more diverse, numerous, and technically savvy. Institutions must learn to embrace new technology while retaining the authenticity of their stories and the value placed on their objects. The…mehr

Produktbeschreibung
Natural history museums are changing, both because of their own internal development and in response to changes in context. Historically, the aim of collecting from nature was to develop encyclopedic assemblages to satisfy human curiosity and build a basis for taxonomic information. Today, with global biodiversity in rapid decline, there are new reasons to build and maintain collections, while audiences are more diverse, numerous, and technically savvy. Institutions must learn to embrace new technology while retaining the authenticity of their stories and the value placed on their objects. The Future of Natural History Museums begins to develop a cohesive discourse that balances the disparate issues that our institutions will face over the next decades. It disassembles the topic into various key elements and, through commentary and synthesis, explores a cohesive picture of the trajectory of the natural history museum sector. This book contributes to the study of collections, teaching and learning, ethics, and running non-profit businesses and will be of interest to museum and heritage professionals and academics and senior students in Biological Sciences and Museum Studies.
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Autorenporträt
Eric Dorfman is Director of Pittsburgh's Carnegie Museum of Natural History and President of the International Council of Museums Committee for Museums and Collections of Natural History (ICOM NATHIST). He is Deputy Chair of the ICOM Ethics Committee (ETHCOM) and co-authored ICOM Code of Ethics for Natural History Museums. He is a board member of Visit Pittsburgh, an Adjunct Professor at University of Pittsburgh and on the editorial board of Museum Worlds: Advances in Research. Prior to his current position, he was Director of Whanganui Regional Museum in New Zealand and lectured in the Museums and Heritage Studies Department of Victoria University of Wellington.