The Genres of Thomson's The Seasons brings together contributions examining the different generic modes and discourses in Thomson's descriptive long poem. It aims to provide a better understanding of the generic remit of The Seasons and of the transformation of poetic genres in the eighteenth century in general.
The Genres of Thomson's The Seasons brings together contributions examining the different generic modes and discourses in Thomson's descriptive long poem. It aims to provide a better understanding of the generic remit of The Seasons and of the transformation of poetic genres in the eighteenth century in general.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sandro Jung is senior fellow of the Alexander von Humboldt Foundation at the Herzog August Bibliothek Wolfenbüttel and the Hiob Ludolf senior fellow at the University of Erfurt's Forschungszentrum Gotha. Kwinten Van De Walle is teaching fellow in English literature at Ghent University.
Inhaltsangabe
A Note on the Text List of Figures Introduction Sandro Jung & Kwinten Van De Walle Structure and Form: The Making of the Long Poem Chapter One: Richard Blackmore, James Thomson, Alexander Pope and the Creation of the Eighteenth-Century Long Poem Carson Bergstrom Chapter Two: Poetic Description and the Formation of Genre: Thomson's Summer and Mallet's The Excursion Sandro Jung Chapter Three: From Inter- to Intratextuality: "Autumn" as the Conclusion to The Seasons Kwinten Van De Walle Poetic Voice, Experimentation, and Generic Modulation Chapter Four: The Lyric Self in The Seasons Christopher R. Miller Chapter Five: Eschatology and the Pindaric Ode in James Thomson's Winter (1726) Thomas Van der Goten Chapter Six: Be-longing: Thomson's "Soft Assemblage" and the Erotics of Genre Kate Parker Chapter Seven: The Articulation of Genre in The Seasons Juan Christian Pellicer Revisiting the Georgic Chapter Eight: The Golden Age and Iron Times: Pastoral and Georgic in "Spring" Tess Somervell Chapter Nine: Fervent Bees, Dreaming Dogs, Human Insects, and Animal Fellowship in The Seasons: Thomson's Revisionist Georgic Fauna and the Works of Peace John D. Morillo Chapter Ten: The European Georgic and the Politics of Genre: Johan Gabriel Oxenstierna and The Seasons in Sweden Alfred Sjödin Index About the Contributors About the Editors
A Note on the Text List of Figures Introduction Sandro Jung & Kwinten Van De Walle Structure and Form: The Making of the Long Poem Chapter One: Richard Blackmore, James Thomson, Alexander Pope and the Creation of the Eighteenth-Century Long Poem Carson Bergstrom Chapter Two: Poetic Description and the Formation of Genre: Thomson's Summer and Mallet's The Excursion Sandro Jung Chapter Three: From Inter- to Intratextuality: "Autumn" as the Conclusion to The Seasons Kwinten Van De Walle Poetic Voice, Experimentation, and Generic Modulation Chapter Four: The Lyric Self in The Seasons Christopher R. Miller Chapter Five: Eschatology and the Pindaric Ode in James Thomson's Winter (1726) Thomas Van der Goten Chapter Six: Be-longing: Thomson's "Soft Assemblage" and the Erotics of Genre Kate Parker Chapter Seven: The Articulation of Genre in The Seasons Juan Christian Pellicer Revisiting the Georgic Chapter Eight: The Golden Age and Iron Times: Pastoral and Georgic in "Spring" Tess Somervell Chapter Nine: Fervent Bees, Dreaming Dogs, Human Insects, and Animal Fellowship in The Seasons: Thomson's Revisionist Georgic Fauna and the Works of Peace John D. Morillo Chapter Ten: The European Georgic and the Politics of Genre: Johan Gabriel Oxenstierna and The Seasons in Sweden Alfred Sjödin Index About the Contributors About the Editors
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