"Examines Jewish-German "tropes" in Hâeláene Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: "An Originary Exile" I. I call Germany: The Landline (1916-2016) 1. The first telephone 2. The dream call 3. The last phone call II. "Os, na, brück": The Capital of Memory (1933-1935) 1. Ruins and remembrance: from "Os, na, brück" to "Rom'" 2. Osnabrück the instrument of Peace: "recorder," recorder 3. Remembrer-remember: a detour to Montaigne's Tower. and its ruins (image) 4. "Je suis, nous sommes le 23 octobre 1935". The October 23, 1935 picture 5. N'ai-je pas vu (Have I not seen.) la neige pas vue (.the snow not seen)? III. An Originary Move: The Move of the Origin (1938) 1. Omi was in Osnabrück. 2. "Bericht" 3. "Etwas" 4. Epilog IV. Zugehör: The Jewish-German psyche 1. "Envoûté," delirium 2. "We" 3. Epilog: Zugehör Conclusion: Frauenprotest Afterword: A filmed-interrupted interview with Hélène Cixous Acknowledgements Bibliography Index
Introduction: "An Originary Exile" I. I call Germany: The Landline (1916-2016) 1. The first telephone 2. The dream call 3. The last phone call II. "Os, na, brück": The Capital of Memory (1933-1935) 1. Ruins and remembrance: from "Os, na, brück" to "Rom'" 2. Osnabrück the instrument of Peace: "recorder," recorder 3. Remembrer-remember: a detour to Montaigne's Tower. and its ruins (image) 4. "Je suis, nous sommes le 23 octobre 1935". The October 23, 1935 picture 5. N'ai-je pas vu (Have I not seen.) la neige pas vue (.the snow not seen)? III. An Originary Move: The Move of the Origin (1938) 1. Omi was in Osnabrück. 2. "Bericht" 3. "Etwas" 4. Epilog IV. Zugehör: The Jewish-German psyche 1. "Envoûté," delirium 2. "We" 3. Epilog: Zugehör Conclusion: Frauenprotest Afterword: A filmed-interrupted interview with Hélène Cixous Acknowledgements Bibliography Index
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