Originally published in 1938, this book presents an account of the conversion of Italian operas into popular plays in the German language.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Introduction 1A. Description of MS, authorship, date, provenance 1B. Italian influence on the arts in Vienna 2. Origin and structural elements of the Venetian opera 3A. The 'mise-en-scène' of the Venetian opera 3B. The Jesuit drama and the opera at Vienna 4. The opera at Vienna and the popular theatre 5. Der stumme Prinz Atis its relation to the Hamburg opera and the popular theatre in Vienna 6. Analysis of the structural elements of Atis comparison with the Italian original Creso, and with Bostel's Croesus Conclusion List of libretti and 'haupt- und staatsaktionen' Bibliography Index.
Preface Introduction 1A. Description of MS, authorship, date, provenance 1B. Italian influence on the arts in Vienna 2. Origin and structural elements of the Venetian opera 3A. The 'mise-en-scène' of the Venetian opera 3B. The Jesuit drama and the opera at Vienna 4. The opera at Vienna and the popular theatre 5. Der stumme Prinz Atis its relation to the Hamburg opera and the popular theatre in Vienna 6. Analysis of the structural elements of Atis comparison with the Italian original Creso, and with Bostel's Croesus Conclusion List of libretti and 'haupt- und staatsaktionen' Bibliography Index.
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