The Ghost Story 1840-1920: A Cultural History is the first book length analysis of the British ghost story in over thirty years. It includes readings of the economic, national, colonial, and gender contexts of the ghost story and provides a new and important critical re-evaluation of writers including Dickens, Collins, Henry James, and M.R. James. -- .
The Ghost Story 1840-1920: A Cultural History is the first book length analysis of the British ghost story in over thirty years. It includes readings of the economic, national, colonial, and gender contexts of the ghost story and provides a new and important critical re-evaluation of writers including Dickens, Collins, Henry James, and M.R. James. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Smith is an aircraft structure technician, writer, designer, and illustrator. He has a special interest in spiritual connectivity and the wide-ranging forces of harmony, wisdom, patience, prudence, and discipline. He lives in Ottawa with his family.
Inhaltsangabe
Acknowledgements Introduction 1. Seeing the Spectre: an economic theory of the Ghost Story 2. Dickens's Spectres: sight, money and reading the ghost story 3. Money and Machines: Wilkie Collins's ghosts 4. Love, Money, and History: The Female Ghost Story 5. Reading ghosts and reading texts: spiritualism 6. Haunted Houses and History: Henry James's Anglo-American Ghosts 7. Colonial ghosts: mimicry, history, and laughter 8. M.R. James's Gothic Revival Conclusion Bibliography
Acknowledgements Introduction 1. Seeing the Spectre: an economic theory of the Ghost Story 2. Dickens's Spectres: sight, money and reading the ghost story 3. Money and Machines: Wilkie Collins's ghosts 4. Love, Money, and History: The Female Ghost Story 5. Reading ghosts and reading texts: spiritualism 6. Haunted Houses and History: Henry James's Anglo-American Ghosts 7. Colonial ghosts: mimicry, history, and laughter 8. M.R. James's Gothic Revival Conclusion Bibliography
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