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Special Edition Authorized by Edgar Rice Burroughs, Inc., Featuring Rare and Previously Unpublished Archival Materials In 1921, Edgar Rice Burroughs wrote a novel unlike any other in his entire catalog-a sordid tale of drug addiction, corruption, and murder set against the backdrop of Prohibition-era Hollywood. He believed it to be one of his finest works, written as it was from his own experience after he and his family moved to their Tarzana Ranch in Southern California and became exposed to both the allure and perils of nearby Tinseltown. Now, celebrate the hundredth anniversary of this…mehr

Produktbeschreibung
Special Edition Authorized by Edgar Rice Burroughs, Inc., Featuring Rare and Previously Unpublished Archival Materials In 1921, Edgar Rice Burroughs wrote a novel unlike any other in his entire catalog-a sordid tale of drug addiction, corruption, and murder set against the backdrop of Prohibition-era Hollywood. He believed it to be one of his finest works, written as it was from his own experience after he and his family moved to their Tarzana Ranch in Southern California and became exposed to both the allure and perils of nearby Tinseltown. Now, celebrate the hundredth anniversary of this timeless work in this authorized commemorative Centennial Edition, featuring a new foreword by Michael D. Sellers (author of John Carter and the Gods of Hollywood), a specially commissioned frontispiece by renowned artist Douglas Klauba, classic cover art by P. J. Monahan, and rare and never-before-seen bonus materials from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Many Edgar Rice Burroughs fans don't realize that the widely available Ace Books paperback edition of The Girl from Hollywood published in the 1970s was significantly abridged, with lengthy passages excised throughout. The Girl from Hollywood Centennial Edition restores the complete text of the novel from the original hardcover first edition. DARK SIDE OF HOLLYWOOD She is known by the stage name Gaza de Lure, an icon of the silver screen-the epitome of success for every aspiring actress who dreams of becoming a star in Hollywood. No longer is she Shannon Burke, the innocent Midwestern girl who moved to California seeking fame and fortune, for in her heart she holds a dark secret...one so dreadful, so shameful, that she can never hope to escape its grasp. When the Penningtons, a wholesome ranching family from the nearby foothills, come into her orbit, will they too be unable to extract themselves from the inexorable web of Hollywood corruption, drug peddling, addiction-and murder?
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Autorenporträt
Edgar Rice Burroughs (September 1, 1875 - March 19, 1950) was an American writer best known for his creations of the jungle hero Tarzan and the heroic Mars adventurer John Carter, although he produced works in many genres. Aiming his work at the pulps, Burroughs had his first story, Under the Moons of Mars, serialized in The All-Story in 1912 - under the name "Norman Bean" to protect his reputation. Under the Moons of Mars inaugurated the Barsoom series and earned Burroughs $400. It was first published as a book in 1917, entitled A Princess of Mars, after three Barsoom sequels had appeared as serials and McClurg had published the first four serial Tarzan novels as books. Burroughs soon took up writing full-time, and by the time the run of Under the Moons of Mars had finished he had completed two novels, including Tarzan of the Apes. Burroughs also wrote popular science fiction and fantasy stories involving adventurers from Earth transported to various planets (notably Barsoom, Burroughs's fictional name for Mars), lost islands, and into the interior of the hollow earth in his Pellucidar stories. He also wrote westerns and historical romances. Tarzan was a cultural sensation when introduced. Burroughs was determined to capitalize on Tarzan's popularity in every way possible. He planned to exploit Tarzan through several different media including a syndicated Tarzan comic strip, movies and merchandise. Experts in the field advised against this course of action, stating that the different media would just end up competing against each other. Burroughs went ahead, however, and proved the experts wrong - the public wanted Tarzan in whatever fashion he was offered.