How did the popular drama of Shakespeare's age become literature? Editorial efforts since the first folio of 1623 have attempted to establish a correct, final text of Shakespeare's plays. Yet the text in the theater changed constantly in front of different venues and audiences. Stephen Orgel examines what happens to plays when they become books.
How did the popular drama of Shakespeare's age become literature? Editorial efforts since the first folio of 1623 have attempted to establish a correct, final text of Shakespeare's plays. Yet the text in the theater changed constantly in front of different venues and audiences. Stephen Orgel examines what happens to plays when they become books.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stephen Orgel is the J. E. Reynolds Professor in the Humanities, Emeritus, at Stanford University. His most recent books are The Idea of the Book and the Creation of Literature (OUP, 2022), The Invention of Shakespeare and Other Essays (2022), Wit's Treasury (2021), The Reader in the Book (OUP, 2015), Spectacular Performances (2011), Imagining Shakespeare (2003), and The Authentic Shakespeare (2002). He is the general editor of the New Pelican Shakespeare, and has edited The Tempest and The Winter's Tale in the Oxford Shakespeare.
Inhaltsangabe
Preface List of Illustrations 1: The Drama of Print 2: The Example of Gorboduc 3: From Stage to Page 4: The Example of Macbeth 5: The Jonson Folios 6: Classical Models Conclusion Principal Works Discussed Bibliography Index
Preface List of Illustrations 1: The Drama of Print 2: The Example of Gorboduc 3: From Stage to Page 4: The Example of Macbeth 5: The Jonson Folios 6: Classical Models Conclusion Principal Works Discussed Bibliography Index
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