The Graphic Design Reader brings together key readings in this ever-changing field to provide an essential resource for students, researchers and practitioners.Taking as its starting point an exploration of the way in which theory and practice and canons and anti-canons have operated within the discipline, the reader brings together writings by important international design critics, including Wendy Siuyi Wong, Dick Hebdige, April Greiman, and Victor Margolin.Extracts are structured into clear thematic sections addressing history; education and the profession; type and typography; critical…mehr
The Graphic Design Reader brings together key readings in this ever-changing field to provide an essential resource for students, researchers and practitioners.Taking as its starting point an exploration of the way in which theory and practice and canons and anti-canons have operated within the discipline, the reader brings together writings by important international design critics, including Wendy Siuyi Wong, Dick Hebdige, April Greiman, and Victor Margolin.Extracts are structured into clear thematic sections addressing history; education and the profession; type and typography; critical writing and practice; political and social change; changing visual landscapes, and graphic design futures. Each section has a contextual introduction by the editors outlining key ideas and debates, as well as an annotated guide to further reading and a comprehensive bibliography.The Graphic Design Reader features original visual essays which provide a critical platform for understanding and interpreting graphic design practice, as well as a wealth of illustrations accompanying key historical and contemporary texts from the 1920s to the present day.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Teal Triggs is Professor of Graphic Design and Associate Dean, School of Communication, Royal College of Art, UK. Leslie Atzmon is Professor of Graphic Design and Design History at Eastern Michigan University, USA.
Inhaltsangabe
Introduction: The Graphic Design Reader SECTION I - HISTORY OF GRAPHIC DESIGN and GRAPHIC DESIGN HISTORY IntroductionIndustry and the Birth of Graphic Design (19th Century to 1980) 1. New Kind of Printing Calls for New Design, W.A. Dwiggins 2. Note by William Morris on His Aims in Founding the Kelmscott Press, William Morris 3. The Studio: Photomechanical Reproduction and the Changing Status of Design, Gerry Beegan 4. Narrative Problems of Graphic Design History, Victor Margolin 5. Elementary School, J. Abbott Miller 6. Graphic Design History by Steven Heller; Georgette Ballance; Texts on Type: Critical Writings on Typography edited by Steven Heller; Philip B. Meggs, Michael Golec? Graphic Design Canon(s) (1980s to present) 7. Cult of the Ugly, Steven Heller 8. An Interview with Edward Fella, Michael Dooley 9. An Unbearable Lightness? Steven Rigley 10. Is There a Canon of Graphic Design History? Martha Scotford 11. Good History Bad History, Tibor Kalman, J. Abbott Miller and Karrie Jacobs 12. Out of the Studio: Graphic Design History and Visual Studies, Rick Poynor Isms and Graphic Design 13. The Grid: History, Use, and Meaning, Jack Williamson 14. Gebrauchsgraphik as an Early Graphic Design Journal, 1924-1938, Jeremy Aynsley15. Zombie Modernism, Mr. Keedy 16. The Global Style: Modernist Typography After Postmodernism, Jeffrey Keedy17. The Bottom Line on Planet One: Squaring up to The Face, Dick Hebdige 18. A Brave New World: Understanding Deconstruction, Chuck Byrne and Martha Witte Guide to Further Reading SECTION II: EDUCATION AND THE PROFESSIONIntroductionII.1 Graphic Design Education1. Education and Professionalism or What's wrong with graphic design education? Katherine McCoy 2. England: The Working Party on Typographic Teaching, Michael Twyman 3. A Journey Toward Sublime, Damian and Laura Santamaria4. Scaffolding a Human-centred Practice in Graphic Design, Yoko Akama 5. VISUAL ESSAY: Future Issue: A Subjective Family Tree of (mostly) American Graphic Designers (1960-2011), Michael Worthington and Yasmin Khan II.2 Post-Graduate Education and Graphic Design as a Profession 6. Design Literacy, Discourse and Communities of Practice, Sharon Helmer Poggenpohl 7. What is Worth Doing in Design Research?, Meredith Davis 8. Locating Graphic Design History in Canada, Brian Donnelly 9. French Graphic Design: A Contradiction in Terms? Véronique Vienne 10. The Importance of the Dutch Football Club Ajax and Total Football (totaalvoetbal) to the Sport of Graphic Design, Elliott Earls 11. Graphic Design: Fine Art or Social Science? Jorge Frascara Guide to Further Reading SECTION III: TYPE AND TYPOGRAPHYIntroductionIII.1 History of Type and Typography 1. A Brief History of Type Historians, Caroline Archer 2. The Crystal Goblet, or Printing Should be Invisible Beatrice Warde 3. Fuse 1-20: Wreckers of Typographic Civilisation, Adrian Shaughnessy 3. Experimental typography. Whatever that means; Conceptual Type? Peter Bil'ak 4. Towards the Cause of Grunge, Tobias Frere-Jones 5. About the Making of The Telephone Book, Michael Jon Jensen 6. Helvetica, The Film and the Face in Context, Dietmar R. Winkler III.2 Dimensional, Physical, Digital, and Kinetic Typography 8. Dimensional Typography: Case Studies on The Shape of Letters in Virtual Environments J. Abbott Miller 9. Dimensional Typography: The Unbearable Flatness of Being, Leslie Atzmon10. The New Seduction: Moveable Type, Michael Worthington 11. Electronic Typography: The New Visual Language, Jessica Helfand 12. Working the Art Process by Typing in Computer Code, Casey Reas and Ben Fry in discussion with Javier Candeira Guide to Further Reading SECTION IV: GRAPHIC DESIGN CRITICAL WRITING AND PRACTICE Introduction IV.1 Graphic Desig
Introduction: The Graphic Design Reader SECTION I - HISTORY OF GRAPHIC DESIGN and GRAPHIC DESIGN HISTORY IntroductionIndustry and the Birth of Graphic Design (19th Century to 1980) 1. New Kind of Printing Calls for New Design, W.A. Dwiggins 2. Note by William Morris on His Aims in Founding the Kelmscott Press, William Morris 3. The Studio: Photomechanical Reproduction and the Changing Status of Design, Gerry Beegan 4. Narrative Problems of Graphic Design History, Victor Margolin 5. Elementary School, J. Abbott Miller 6. Graphic Design History by Steven Heller; Georgette Ballance; Texts on Type: Critical Writings on Typography edited by Steven Heller; Philip B. Meggs, Michael Golec? Graphic Design Canon(s) (1980s to present) 7. Cult of the Ugly, Steven Heller 8. An Interview with Edward Fella, Michael Dooley 9. An Unbearable Lightness? Steven Rigley 10. Is There a Canon of Graphic Design History? Martha Scotford 11. Good History Bad History, Tibor Kalman, J. Abbott Miller and Karrie Jacobs 12. Out of the Studio: Graphic Design History and Visual Studies, Rick Poynor Isms and Graphic Design 13. The Grid: History, Use, and Meaning, Jack Williamson 14. Gebrauchsgraphik as an Early Graphic Design Journal, 1924-1938, Jeremy Aynsley15. Zombie Modernism, Mr. Keedy 16. The Global Style: Modernist Typography After Postmodernism, Jeffrey Keedy17. The Bottom Line on Planet One: Squaring up to The Face, Dick Hebdige 18. A Brave New World: Understanding Deconstruction, Chuck Byrne and Martha Witte Guide to Further Reading SECTION II: EDUCATION AND THE PROFESSIONIntroductionII.1 Graphic Design Education1. Education and Professionalism or What's wrong with graphic design education? Katherine McCoy 2. England: The Working Party on Typographic Teaching, Michael Twyman 3. A Journey Toward Sublime, Damian and Laura Santamaria4. Scaffolding a Human-centred Practice in Graphic Design, Yoko Akama 5. VISUAL ESSAY: Future Issue: A Subjective Family Tree of (mostly) American Graphic Designers (1960-2011), Michael Worthington and Yasmin Khan II.2 Post-Graduate Education and Graphic Design as a Profession 6. Design Literacy, Discourse and Communities of Practice, Sharon Helmer Poggenpohl 7. What is Worth Doing in Design Research?, Meredith Davis 8. Locating Graphic Design History in Canada, Brian Donnelly 9. French Graphic Design: A Contradiction in Terms? Véronique Vienne 10. The Importance of the Dutch Football Club Ajax and Total Football (totaalvoetbal) to the Sport of Graphic Design, Elliott Earls 11. Graphic Design: Fine Art or Social Science? Jorge Frascara Guide to Further Reading SECTION III: TYPE AND TYPOGRAPHYIntroductionIII.1 History of Type and Typography 1. A Brief History of Type Historians, Caroline Archer 2. The Crystal Goblet, or Printing Should be Invisible Beatrice Warde 3. Fuse 1-20: Wreckers of Typographic Civilisation, Adrian Shaughnessy 3. Experimental typography. Whatever that means; Conceptual Type? Peter Bil'ak 4. Towards the Cause of Grunge, Tobias Frere-Jones 5. About the Making of The Telephone Book, Michael Jon Jensen 6. Helvetica, The Film and the Face in Context, Dietmar R. Winkler III.2 Dimensional, Physical, Digital, and Kinetic Typography 8. Dimensional Typography: Case Studies on The Shape of Letters in Virtual Environments J. Abbott Miller 9. Dimensional Typography: The Unbearable Flatness of Being, Leslie Atzmon10. The New Seduction: Moveable Type, Michael Worthington 11. Electronic Typography: The New Visual Language, Jessica Helfand 12. Working the Art Process by Typing in Computer Code, Casey Reas and Ben Fry in discussion with Javier Candeira Guide to Further Reading SECTION IV: GRAPHIC DESIGN CRITICAL WRITING AND PRACTICE Introduction IV.1 Graphic Desig
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The Graphic Design Reader is a highly useful resource that will give wider exposure to a wealth of significant and insightful writing on graphic design, much of it new or not widely anthologized Journal of Design History
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