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Exploiting the expressive possibilities of print--from spacing and indentation to alignment and typeface--is one of the defining ways in which poetry was modernized in the twentieth-century. This book explores why British and American poets choose to experiment with the design and lay-out of the printed page.

Produktbeschreibung
Exploiting the expressive possibilities of print--from spacing and indentation to alignment and typeface--is one of the defining ways in which poetry was modernized in the twentieth-century. This book explores why British and American poets choose to experiment with the design and lay-out of the printed page.
Autorenporträt
Daniel Matore is Lecturer in Modern, American and Comparative Literature at the University of York. He read for a BA and MPhil in English at the University of Cambridge, winning the Betha Wolferstan Rylands Prize. He received his DPhil from the University of Oxford and has been awarded grants by the Arts and Humanities Research Council. He has previously been lecteur d'anglais at the École Normale Supérieure de Lyon and Jean Nordell Fellow at the Houghton Library, Harvard University.