This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.…mehr
This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peta Tait FAHA is Professor of Theatre and Drama at La Trobe University, Australia.
Inhaltsangabe
List of Figures Notes on Contributors Acknowledgements Introduction to the Series Simon Shepherd (Royal Central School of Speech and Drama UK) Introduction: Directors Transforming Realism Peta Tait (La Trobe University Australia) André Antoine 1. Antoine the Avant-Garde and the Modern Audience Brian Singleton (Trinity College Dublin Ireland) 2. The Sense of Life: Case Studies of Antoine's Productions Jean Chothia (University of Cambridge UK) Konstantin Stanislavski 3. Stanislavski: Contexts and Influences Rose Whyman (University of Birmingham UK) 4. Rethinking 'Stanislavskian' Directing Sharon Marie Carnicke (University of Southern California USA) 5. Stanislavski and Contemporary Directing Practice David Shirley (Manchester School of Theatre UK) Michel Saint-Denis 6. Michel Saint-Denis: Theatre as Exploration Jane Baldwin (independent scholar USA) 7. The Influence of Michel Saint-Denis as a Director Jane Baldwin (independent scholar USA) Notes Bibliography Index
List of Figures Notes on Contributors Acknowledgements Introduction to the Series Simon Shepherd (Royal Central School of Speech and Drama UK) Introduction: Directors Transforming Realism Peta Tait (La Trobe University Australia) André Antoine 1. Antoine the Avant-Garde and the Modern Audience Brian Singleton (Trinity College Dublin Ireland) 2. The Sense of Life: Case Studies of Antoine's Productions Jean Chothia (University of Cambridge UK) Konstantin Stanislavski 3. Stanislavski: Contexts and Influences Rose Whyman (University of Birmingham UK) 4. Rethinking 'Stanislavskian' Directing Sharon Marie Carnicke (University of Southern California USA) 5. Stanislavski and Contemporary Directing Practice David Shirley (Manchester School of Theatre UK) Michel Saint-Denis 6. Michel Saint-Denis: Theatre as Exploration Jane Baldwin (independent scholar USA) 7. The Influence of Michel Saint-Denis as a Director Jane Baldwin (independent scholar USA) Notes Bibliography Index
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