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Already widely debated upon its publication in French, this book offers a provocative account of Christ's Passion in terms not of faith but of a "credible Christianity" that can remain meaningful to nonbelievers. For Falque, anxiety, suffering, and death are not simply the "ills" of our society but the essential horizon of what we confront as humans. Doubtful of Heidegger's famous statement that the notion of salvation renders Christians unable authentically to experience anxiety in the face of death, Falque explores the Passion with a radical emphasis on the physicality and corporeality of…mehr

Produktbeschreibung
Already widely debated upon its publication in French, this book offers a provocative account of Christ's Passion in terms not of faith but of a "credible Christianity" that can remain meaningful to nonbelievers. For Falque, anxiety, suffering, and death are not simply the "ills" of our society but the essential horizon of what we confront as humans. Doubtful of Heidegger's famous statement that the notion of salvation renders Christians unable authentically to experience anxiety in the face of death, Falque explores the Passion with a radical emphasis on the physicality and corporeality of Christ's suffering and death, and on continuities with the mortality of our bodies. Written in the wake of a friend's death, Falques's study is theologically and philosophically rigorous, yet engagingly written and deeply humane.
Autorenporträt
Emmanuel Falque is Professor of Philosophy at the Catholic Institute of Paris. He is well known for writings that combine an expertise in medieval philosophy, modern French phenomenology, and theology. His recent publications include Passer le Rubicon [Crossing the Rubicon] (2013), Saint Bonaventure et l'entrée de Dieu en théologie (2000); Dieu, la chair et l'autre [God, the Flesh and the Other] (2008) and the trilogy: Le passseur de Gethsémani (1999), Métamorphose de la finitude [Metamorphosis of Finitude] (2004), and Les Noces de l'Agneau [The Wedding Feast of the Lamb] (2011). His works have been translated into English, Spanish, and Italian.