Christopher Page
The Guitar in Tudor England
Christopher Page
The Guitar in Tudor England
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This book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.
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This book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 270
- Erscheinungstermin: 3. August 2016
- Englisch
- Abmessung: 250mm x 175mm x 19mm
- Gewicht: 652g
- ISBN-13: 9781107108363
- ISBN-10: 1107108365
- Artikelnr.: 42396760
- Verlag: Cambridge University Press
- Seitenzahl: 270
- Erscheinungstermin: 3. August 2016
- Englisch
- Abmessung: 250mm x 175mm x 19mm
- Gewicht: 652g
- ISBN-13: 9781107108363
- ISBN-10: 1107108365
- Artikelnr.: 42396760
Christopher Page is a Fellow of the British Academy, Professor of Medieval Music and Literature at the University of Cambridge, and from October 2014 Gresham Professor of Music at Gresham College, London for three years. He holds the Dent Medal of the Royal Musical Association awarded for outstanding services to musicology. In 1981 he founded the professional vocal ensemble Gothic Voices, which now has twenty-five CDs in the catalogue, three of which won the coveted Gramophone Early Music Record of the Year award. In 2012, he was a founder member of the Consortium for Guitar Research at Sidney Sussex College, an affiliate of the Royal Musical Association. He has published many books and articles on early music, most recently a major study, The Christian West and its Singers: The First Thousand Years (2010).
Introduction
1. Imagery
2. Who owned a gittern?
3. The gittern trade
4. 'An instruction to the Gitterne'
5. Sounding strings
6. The gittern and Tudor song
7. Thomas Whythorne: the autobiography of a Tudor guitarist
Conclusion
Appendices: Appendix A. The terms 'gittern' and 'cittern'
Appendix B. References to gitterns from 1542-1605
Appendix C. The probate inventory of Dennys Bucke (1584)
Appendix D. Octave strings on the fourth and third course
Appendix E. The fiddle tunings of Jerome of Moravia, swept strings and the guitar
Appendix F. The mandore and the wire-strung gittern
Appendix G. The ethos of the guitar in sixteenth-century France
Appendix H. Raphe Bowle.
1. Imagery
2. Who owned a gittern?
3. The gittern trade
4. 'An instruction to the Gitterne'
5. Sounding strings
6. The gittern and Tudor song
7. Thomas Whythorne: the autobiography of a Tudor guitarist
Conclusion
Appendices: Appendix A. The terms 'gittern' and 'cittern'
Appendix B. References to gitterns from 1542-1605
Appendix C. The probate inventory of Dennys Bucke (1584)
Appendix D. Octave strings on the fourth and third course
Appendix E. The fiddle tunings of Jerome of Moravia, swept strings and the guitar
Appendix F. The mandore and the wire-strung gittern
Appendix G. The ethos of the guitar in sixteenth-century France
Appendix H. Raphe Bowle.
Introduction
1. Imagery
2. Who owned a gittern?
3. The gittern trade
4. 'An instruction to the Gitterne'
5. Sounding strings
6. The gittern and Tudor song
7. Thomas Whythorne: the autobiography of a Tudor guitarist
Conclusion
Appendices: Appendix A. The terms 'gittern' and 'cittern'
Appendix B. References to gitterns from 1542-1605
Appendix C. The probate inventory of Dennys Bucke (1584)
Appendix D. Octave strings on the fourth and third course
Appendix E. The fiddle tunings of Jerome of Moravia, swept strings and the guitar
Appendix F. The mandore and the wire-strung gittern
Appendix G. The ethos of the guitar in sixteenth-century France
Appendix H. Raphe Bowle.
1. Imagery
2. Who owned a gittern?
3. The gittern trade
4. 'An instruction to the Gitterne'
5. Sounding strings
6. The gittern and Tudor song
7. Thomas Whythorne: the autobiography of a Tudor guitarist
Conclusion
Appendices: Appendix A. The terms 'gittern' and 'cittern'
Appendix B. References to gitterns from 1542-1605
Appendix C. The probate inventory of Dennys Bucke (1584)
Appendix D. Octave strings on the fourth and third course
Appendix E. The fiddle tunings of Jerome of Moravia, swept strings and the guitar
Appendix F. The mandore and the wire-strung gittern
Appendix G. The ethos of the guitar in sixteenth-century France
Appendix H. Raphe Bowle.