David MalvinniThe Gypsy Caravan
From Real Roma to Imaginary Gypsies in Western Music
David Malvinni holds a Ph.D. in Musicology from the University of California, Santa Barbara. He teaches music courses at Santa Barbara City College, and has taught at UCSB.
Preface Acknowledgments Chapter One: The Relative Neglect of Gypsy Music:
Nationalism, Interest, and Advocacy in Musicology Chapter Two: Alms,
Virgins, and Feuerzeichen: Literature's Place in Configuring Gypsiness
Chapter Three: A Nineteenth-Century Tale of Two Others: Gypsy Improvisation
and the Exotic Remainder Chapter Four: Nomads and the Rhizome: Becoming
Gypsy Chapter Five: Brahms's Hungarian Dance no. 5 and the Dynamics of
Exaggeration Chapter Six: The Poetics of Gypsiness in Liszt's Hungarian
Rhapsodies Chapter Seven: Gypsies and Vol'nost' in Russian Music: Aleko
Chapter Eight: Gypsy Pleroma: Janacek's Diary of One Who Disappeared
Chapter Nine: The Specter of Bartók: From Hungarian Musicology to the
Folk-Music Revival Chapter Ten: Gypsiness in Film Music: Spectacle and Act
Chapter Eleven: O lunga drom: The Digital Migration of Gypsy Music Musical
Examples Gypsy Music Discography References Index