Babette Babich

The Hallelujah Effect

Philosophical Reflections on Music, Performance Practice, and Technology

• Gebundenes Buch

Produktbeschreibung

This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 326
• Erscheinungstermin: 12. Juni 2013
• Englisch
• Abmessung: 240mm x 161mm x 22mm
• Gewicht: 657g
• ISBN-13: 9781409449607
• ISBN-10: 1409449602
• Artikelnr.: 39253671

Autorenporträt

Babette Babich is Professor of Philosophy at Fordham University in New York City. She is author, among other books, of La fin de la pensée? Philosophie analytique contre philosophie continentale (2012) and Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Hölderlin, Nietzsche and Heidegger (2006). Editor of eight book collections, she is also executive editor of New Nietzsche Studies.

Inhaltsangabe

Contents: Prelude: the Hallelujah effect on the internet
The Hallelujah effect, Cohen's secret song and the music industry
Leonard Cohen's Hallelujah and other Hallelujahs: from Handel's Hallelujah Chorus to the Hallel Psalms
On male desire and music: misogyny, love, and the beauty of men
'Covering' Leonard Cohen's Hallelujah: music makes the song from John Cale to k.d. lang
'You don't really care for music, do ya?'
Performance practice and the Hallelujah effect
Interlude: Adorno's phenomenology: radio physiognomy and music
Interlude: Mousiké techné
The spirit of music in The Birth of Tragedy: Nietzsche's phenomenological investigations of music and word
Nietzsche and Beethoven: on the 'becoming-human of dissonance'
Bibliography
Index.