The Handbook of Cultural Work

Herausgeber: Carras, Christos

• Gebundenes Buch

Produktbeschreibung

This open access handbook explores the increasingly cross-disciplinary nature of cultural work and assesses how it engages with other fields, such as: education, research, and health; as well as the defining issues of our time such as the climate emergency, the quest for sustainable development, discrimination of all kinds, and the need for achieving greater inclusivity. Each of the book's six sections includes contributions from scholars and practitioners from across Europe based both on their experience of working in and a theoretical analysis of these areas. The book is essential reading for students of arts and cultural management, management in other creative industries, and curation. The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by The Onassis Foundation, Greece.

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Produktdetails

• Verlag: Bloomsbury Academic
• Seitenzahl: 360
• Erscheinungstermin: 13. Juni 2024
• Englisch
• Abmessung: 234mm x 160mm x 20mm
• Gewicht: 1043g
• ISBN-13: 9781350359468
• ISBN-10: 1350359467
• Artikelnr.: 68920054

Autorenporträt

Christos Carras is an independent researcher and cultural consultant. He was the Executive Director of the Onassis Cultural Centre in Athens, Greece from 2009 to 2022. His research interests include the aesthetics of contemporary sonic art, the role of music within broader networks and fields, the politics of cultural production and consumption, and the connections between culture and sustainable development. He is an active cultural professional, having been involved in many European projects and having held senior managerial roles in cultural institutions.

Inhaltsangabe

Table of Contents List of Illustrations Notes on Contributors Acknowledgements Foreword: Cultural Work in a Complex World Introduction to the Handbook of Cultural Work
Christos Carras (Onassis Cultural Centre
Greece) Part One: Spaces of cultural action 1.1. Cultural and creative districts in a changing Europe
Adrian Ellis (Global Cultural District Network
UK / Turkey) 1.2. Transformative arts. Community theatre as democratic infrastructure
Jasmina Ibrahimovic (Rotterdam Wijktheater
Bosnia and Herzegovina / Netherlands) & Catherine Koekoek (Erasmus Universiteit Rotterdam
The Netherlands) 1.3. The power of neglected spaces
Mieke Renders (BE
Manager for urban and rural regeneration
Belgium) 1.4. Spaces of cultural action: focusing on working in and with communities
in public spaces
in urban districts or rural areas
or across borders
Piotr Michalowski (European Network of Cultural Centres
Poland) 1.5. Places for life
Gundega Laivina (Pratt Institute
NY
Latvia) 1.6. The street
the field
the workshop and the stage: staging grounds for transdisciplinary urban enquiry
Dr. John Bingham-Hall (Theatrum Mundi
UK) 1.7. Artists Without Borders - Building a case for cultural policies that transcend nations
Milica Ilic (Office National de Diffusion Artistique
Serbia) Part Two: Cross-sectoral cultural action 2.1. New Cultural Policies for Enabling Cross-Sectoral Positive Transformation
Sylvia Amann (IDEA Consult / Creative FLIP
Denmark) 2.2. Culture and well-being - a promising area of cross-sectoral action
Rarita Zbranca (Cluj Cultural Centre
Romania) 2.3. Navigating the digital future
Kristina Maurer (S+T+ARTS
EU) & Veronika Liebl (Ars Electronica Centre
Austria) 2.4. The Lion and the Mouse - The move from informal to formal education in Brussels
Christophe De Jaeger (Gluon - Platform for Art
Science
and Technology
Belgium) 2.5. Artistic Thinking and Societal Change
Dr. Jaana Erkkilä-Hill (University of the Arts
Finland) Part Three: Politics
Power & Access 3.1. The meaning of participation
François Matarasso (A Restless Art / Independent researcher / blogger
France) 3.2. How can culture and the arts recover and reaffirm values of solidarity? Strategy and action from a network of municipalities
Marta Martins (Artemrede
Portugal) 3.3. Et maintenant
on va où? Diversity in arts and culture: between formal correctness and genuine needs
Yamam Al-Zubaidi (National Touring Theatre of Sweden
Iraq / Sweden) 3.4. Road of Oblivion and Love: Orchestrated Ebbs and Flows in Romany Cultural Development
Vasil Chaprazov (Roma public intellectual
Bulgaria) 3.5. Art
Aesthetics
and Access: disability and contemporary cultural practice
Ben Evans (British Council
UK) 3.6. A call to bear witness
Christina Varvia (GR
Forensic Architecture) Part Four: The cultural economy
funding
and policies in Europe 4.1. The busy intersection of cultural and social policy
Tere Badia (Culture Action Europe
Belgium / Estonia) & Gabriele Rosana 4.2. For Culture to address global challenges - the 2022 Recommendation of the Council of Europe
Philippe Kern (KEA
France) 4.3. Imagine! Philanthropy for Europe
André Wilkens (NEMO
Amsterdam)
Isabelle Schwarz& Tsveta Andreeva (European Cultural Foundation
Amsterdam) 4.4. The potential of crowdfunding in culture
Isabelle De Voldere (IDEA Consult
Belgium) & Martina Fraioli (European Network of Cultural Centres
Belgium) 4.5. Cultural entrepreneurship and funding policies in Europe
Annick Schramme (University of Antwerp
Belgium) Part Five: Culture
the climate emergency and the Sustainable Development Goals 5.1. Senses of Purpose
Lucia Pietroiusti (Serpentine Galleries
UK / Italy) 5.2. Culture and the Sustainable Development Goals
Christos Carras (Onassis Cultural Centre
Greece) 5.3. Environmental Policy Frameworks and Cultural Work
Iphigenia Taxopoulou (Julie's Bicycle
UK / Greece) 5.4. Theatre into the Doughnut
Caroline Barneaud
Darious Ghavami & Tristan Pannatier (Théâtre Vidy-Lausanne
Switzerland) 5.5. What Would It Mean to Restitute to Earth All We Have Taken from the Earth? Decolonial Aesthesis and Transition in Art
Design
and Fashion
a Discussion between Hicham Khalidi and Rolando Vázquez (Van Eyck Academy
Netherlands / Mexico) 5.6. Ecological sensing of "aquaforming" in the age of Aquatocene
Robertina Sebjanic (HR/SI
Artist
Croatia / Slovenia) Part Six: The digital transformation of cultural practice 6.1. The Digital Transformation of Cultural Practice
Oonagh Murphy (Goldsmiths
University of London
UK / Ireland) 6.2. The interdependence of networked archives
Alessandro Ludovico (Neural / Winchester School of Art
University of Southampton
UK / Italy) 6.3. How to communicate
collaborate and distribute - Canal180's decade-long learnings
case studies and contributions from our network
João Vasconcelos (Canal 180
Portugal) 6.4. Platform fever
Prodromos Tsiavos (Onassis Cultural Centre
Greece) Index