Karen Ross

The Handbook of Gender, Sex, and Media

Herausgeber: Ross, Karen

• Gebundenes Buch

Produktbeschreibung

The Handbook of Gender, Sex and Media offers original insights into the complex set of relations which exist between gender, sex, sexualities and the media, and in doing so, showcases new research at the forefront of media and communication practice and theory.

Brings together a collection of new, cutting-edge research exploring a number of different facets of the broad relationship between gender and media
Moves beyond associating gender with man/woman and instead considers the relationship between the construction of gender norms, biological sex and the mediation of sex and sexuality
Offers genuinely new insights into the complicated and complex set of relations which exist between gender, sex, sexualities and the media
Essay topics range from the continuing sexism of TV advertising to ways in which the internet is facilitating the (re)invention of our sexual selves.

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Produktdetails

• Handbooks in Communication and Media .
• Verlag: Wiley & Sons
• 1. Auflage
• Seitenzahl: 608
• Erscheinungstermin: 15. November 2011
• Englisch
• Abmessung: 250mm x 175mm x 37mm
• Gewicht: 1219g
• ISBN-13: 9781444338546
• ISBN-10: 1444338544
• Artikelnr.: 33935002

Autorenporträt

Karen Ross is Professor of Media and Public Communication at the University of Liverpool. She has written extensively on the relationships between women and media and between the media and the public. Her recent publications include Women and Media: International Perspectives (with Carolyn Byerly, Wiley-Blackwell, 2004), Women and Media: A Critical Introduction (with Carolyn Byerly, Wiley-Blackwell, 2006), Rethinking Media Education: Critical Pedagogy and Identity Politics (edited with Anita Nowak and Sue Abel, 2007), Gendered Media (2009), and The Media and the Public (with Stephen Coleman, Wiley-Blackwell, 2010). She is the founding editor of the ICA/Wiley-Blackwell journal Communication, Culture & Critique.

Inhaltsangabe

Notes on Contributors viii
Acknowledgments xix
Editor's Introduction xx
Part I Mediated Women 1
1 The Geography of Women and Media Scholarship 3
Carolyn M. Byerly
2 Chilean Women in Changing Times: Media Images and Social Understandings
20
Claudia Bucciferro
3 The Girls of Parliament: A Historical Analysis of the Press Coverage of
Female Politicians in Bulgaria 35
Elza Ibroscheva and Maria Stover
4 Gossip Blogs and 'Baby Bumps': The New Visual Spectacle of Female
Celebrity in Gossip Media 53
Erin Meyers
5 Fanfiction and Webnovelas: The Digital Reading and Writing of Brazilian
Adolescent Girls 71
Ilana Eleá
6 Virtually Blonde: Blonde Jokes in the Global Age and Postfeminist
Discourse 88
Limor Shifman and Dafna Lemish
Part II Rugged Masculinity and Other Fables 105
7 Men, Masculinities, and the Cave Man 107
Jeffery P. Dennis
8 Rhetorical Masculinity: Authoritative Utterance and the Male Protagonist
118
Stuart Price
9 Conan the Blueprint: The Construction of Masculine Prototypes in Genre
Films 135
Guido Ipsen
10 Save the Cheerleader, Save the Males: Resurgent Protective Paternalism
in Popular Film and Television after 9/11 157
Sarah Godfrey and Hannah Hamad
11 Fucking Vito: Masculinity and Sexuality in The Sopranos 174
Lynne Hibberd
12 Studio5ive.com: Selling Cosmetics to Men and Reconstructing Masculine
Identity 189
Claire Harrison
Part III Queering the Pitch 205
13 No Hard Feelings: Reflexivity and Queer Affect in the New Media
Landscape 207
Katherine Sender
14 The L Word: Producing Identities through Irony 226
Julie Scanlon
15 Andro- phobia?: When Gender Queer is too Queer for L Word Audiences 241
Rebecca Kern
16 Questioning Queer Audiences: Exploring Diversity in Lesbian and Gay
Men's Media Uses and Readings 260
Alexander Dhoest and Nele Simons
17 'In Touch' with the Female Body: Cinema, Sport, and Lesbian
Representability 277
Katharina Lindner
18 Why Doesn't your Compass Work?: Pirates of the Caribbean, Fantasy
Blockbusters, and Contemporary Queer Theory 294
Martin Fradley
19 Raised Voices: Homophobic Abuse as a Catalyst for Coming Out in US Teen
Television Drama Series 313
Susan Berridge
20 Transmen on the Web: Inscribing Multiple Discourses 326
Matthew Heinz
21 Transgendered Saints and Harlots: Reproduction of Popular Brazilian
Transgender Stereotypes through Performance on Stage, on Screen, and in
Everyday Life 344
Johannes Sjöberg
Part IV Women, Men, and Gender 363
22 Sex/Gender and the Media: From Sex Roles to Social Construction and
Beyond 365
Cynthia Carter
23 Colin Won't Drink out of a Pink Cup 383
Barbara Mitra and Jenny Lewin- Jones
24 Postfeminism Meets Hegemonic Masculinities: Young People Read the
'Knowing Wink' in Advertising 401
Sue Abel
25 Communication as Commodification: Video Technology and the Gendered Gaze
419
Corinna Chong, Heather Molyneaux, and Hélène Fournier
26 Dutch Moroccan Girls Performing their Selves in Instant Messaging Spaces
436
Koen Leurs and Sandra Ponzanesi
Part V All about Sex 455
27 Sex and the Media 457
Feona Attwood
28 Deliciously Consumable: The Uses and Abuses of Irony in
'Sex-Trafficking' Campaign Films 470
Jane Arthurs
29 The Sex Inspectors: Self-help, Makeover, and Mediated Sex 487
Laura Harvey and Rosalind Gill
30 Enacting Bodies: Online Dating and New Media Practices 502
Begonya Enguix and Elisenda Ardévol
31 Gender and Sexuality in the Internet Era 516
Panayiota Tsatsou
32 Gay for Pay: The Internet and the Economics of Homosexual Desire 535
John Mercer
Index 552

Rezensionen

"For instructors looking to expand their students' knowledge of sexuality and gender beyond simple categorical and inflexible definitions, The Handbook of Gender, Sex, and the Media, edited by Karen Ross, is a gift made even more attractive in that the concepts are explored within the context of many students' favorite topic: media. Additionally, this volume is a treasure for researchers and theorists looking for a current and diverse collection of original research within this body of knowledge. Key strengths of the text include the clarity of the overall organization, the appealing and thoughtful overview chapters at the beginning of each section, and the diversity of theoretical and methodological approaches utilized by the authors." (Sex Roles, 1 February 2013)